FacebookInstagramXYouTubeSoundCloud

Past Events › Virtual Events

Virtual Events

  1. Events
  2. Virtual Events

Events Search and Views Navigation

Event Views Navigation

Today

CelloChat: Carter Brey

Virtual Event Virtual Event

Carter Brey was appointed principal cellist of the New York Philharmonic in 1996, and made his subscription debut as soloist with the orchestra the following year in Tchaikovsky's Rococo Variations led by then-Music Director Kurt Masur. He has appeared as soloist with many of America's major symphony orchestras. With the Philharmonic, he has performed in the Haydn C Major Concerto under Music Director Jaap van Zweden; in the Barber, Dvorák, Elgar, and Schumann cello concertos under then-Music Director Alan Gilbert; in Richard Strauss's Don Quixote with music directors Lorin Maazel and Zubin Mehta; in the Brahms Double Concerto with then-Concertmaster Glenn Dicterow and conductor Christoph Eschenbach, as well as with Lorin Maazel on the orchestra's 2007 European tour; in William Schuman's A Song of Orpheus with conductor Christian Thielemann; and in the Boccherini Cello Concerto in D with conductor Riccardo Muti. He also performed the Brahms work at Tanglewood Music Center in the summer of 2002 as part of Kurt Masur's final concerts as the Philharmonic's music director.

CelloChat: Michael Haber

Virtual Event Virtual Event

Cellist Michael Haber is a former member of The Cleveland Orchestra under George Szell, the Casals Festival Orchestra under Pablo Casals and was the principal cellist of the Colorado Music Festival Orchestra. As cellist of the Composers Quartet, in residence at Columbia University, he toured and recorded internationally, as he did with the Orpheus Chamber Orchestra. For more than 20 years, he was the cellist of The Gabrielli Trio. Mr Haber has been on the cello and chamber music faculties of Oberlin College, The Eastman School of Music, the Indiana University School of Music, The New England Conservatory, Boston University, The University of Akron and also taught and performed at many summer music schools and festivals, including Aspen, Marlboro and Yellow Barn.

CelloChat: David Ying

Virtual Event Virtual Event

Cellist David Ying is well known to concert audiences as the cellist of the Grammy Award winning Ying Quartet. With the Quartet he has performed worldwide in celebrated music venues from Carnegie Hall to the Sydney Opera House. The quartet is also known for its enterprising view of concert performance, which has led to visits to the White House as well as correctional facilities, and to business schools as well as hospitals. In its collaborations, the quartet has performed with chamber music greats Menachem Pressler, Gilbert Kalish, and Paul Katz, as well as explored new musical territory with folk musician Mike Seeger, the Turtle Island Quartet, and even actors, dancers, chefs and magicians.

CelloChat: Aristides Rivas – Thoughts and Approaches to Classical Latin American Repertoire

Virtual Event Virtual Event

Grammy-nominated cellist Aristides Rivas is a founding member of the fusion world music band Voci Angelica Trio. Rivas has performed at a wide range of international music venues and festivals such as Caramoor Music Festival, Tanglewood, Carnegie Hall, Newport Jazz Festival, the Barbican in England, Sejong Center in South Korea, and Teatro Colon in Argentina, among others.

CelloChat: Brinton Averil Smith – Interpretive Principles Learned from Recordings of the Masters of the Golden Age of String Playing

Virtual Event Virtual Event

Critics have described American cellist Brinton Averil Smith as a “virtuoso cellist with few equals,” hailing him “a proponent of old-school string playing such as that of Piatigorsky and Heifetz.” Smith’s debut recording of Miklós Rózsa’s Cello Concerto with the New Zealand Symphony Orchestra received widespread international critical acclaim, with Gramophone praising Smith as a “hugely eloquent, impassioned soloist,” and continuing “The sheer bravura of Smith’s reading is infectious” while the American Record Guide praised his recording of chamber music of Fauré with Gil Shaham as “Stunningly beautiful,” continuing “I cannot imagine a better stylistic match for Shaham.”

CelloChat: Kevin Olusola

Virtual Event Virtual Event

Kevin Olusola is best known as the beat boxer of the a cappella quintet Pentatonix. The three-time Grammy® Award-winning and multi-Platinum-selling group has sold more than 10 million albums and performed for fans at their sold-out shows across the globe. Their YouTube channel boasts over 19 million subscribers and yields over 5.1 billion video views. As a solo artist who's been been classically trained in cello, piano, and saxophone, the Yale graduate fuses popular and classical styles together to create a sound new to classical instrumentation.

CelloChat: Mark Kosower – Three-Dimensional Sound and Musical Gesture

Virtual Event Virtual Event

Mark Kosower joined The Cleveland Orchestra as principal cello in 2010. Described as “a virtuoso of staggering prowess” by the Cleveland Plain Dealer, he is a consummate artist equally at home internationally as a recital and concerto soloist. As an orchestral principal, he was formerly solo cellist of the Bamberg Symphony in Germany (2006-10).

CelloChat: Blaise Déjardin – Audition Day: Orchestral Excerpts and Audition Preparation

Virtual Event Virtual Event

Strasbourg-born cellist Blaise Déjardin was appointed principal cello of the Boston Symphony Orchestra by BSO Music Director Andris Nelsons in spring 2018, having joined the BSO’s cello section in 2008. He is the 14th principal cello in the history of the orchestra. Mr. Déjardin has performed as soloist with orchestra around the world (Christchurch Symphony Orchestra, Kuopio Symphony Orchestra, Boston Pops, Longwood Symphony Orchestra, Cape Ann Symphony, Melrose Symphony Orchestra). Recent solo performances featured concertos by Dvorak, Saint-Saens, Brahms and Shostakovich.

CelloChat: Benny Yi-Bing Chu

Virtual Event Virtual Event

Chu Yi-Bing was born in Beijing, China in 1966. His father Chu Yong-Ning and mother Wang Yao-Ling were both professors at the Central Conservatory of Music (CCOM) in Beijing, China. In 1978, Chu Yi-Bing commenced studying cello with his father at the Middle School of the CCOM in Beijing, China. In 1984 after graduating from the CCOM, Chu Yi-Bing was accepted to Conservatoire National Supérieur de Musique à Paris in France where he studied under the tutelage of Maurice Gendron. In 1986 Chu Yi-Bing was prize winner at the 42nd Concours International d’Exécution Musicale in Geneva. He was the first Chinese cellist ever to win a prize in a major international Cello competition.

CelloChat: Anssi Karttunen – Repertoire: How to Build the Best Programs

Virtual Event Virtual Event

The Finnish cellist Anssi Karttunen leads a busy career as a soloist and chamber-music player, performing extensively with many of the best orchestras and musicians. Anssi Karttunen performs all the standard cello works, has discovered many forgotten masterpieces and transcribed numerous pieces for cello, or chamber ensembles. He is a passionate advocate of contemporary music and his collaboration with composers has led him to give over 180 world premieres of works by composers as diverse as Magnus Lindberg, Kaija Saariaho, Pascal Dusapin, Luca Francesconi and Tan Dun.

CelloChat: Edward Arron – Unearthing Tonal Depth and Vibrancy from your Cello

Virtual Event Virtual Event

Cellist Edward Arron has garnered recognition worldwide for his elegant musicianship, impassioned performances, and creative programming. A native of Cincinnati, Ohio, Mr. Arron made his New York recital debut in 2000 at the Metropolitan Museum of Art. Since that time, he has appeared in recital, as a soloist with major orchestras, and as a chamber musician throughout North America, Europe and Asia.

CelloChat: Horacio Contreras – Los Beneficios del Estudio de las Doble Cuerdas y del Repertorio Menos Escuchado en las Salas de Concierto

Virtual Event Virtual Event

Venezuelan cellist Horacio Contreras has gained esteem through a multifaceted career as a concert cellist, chamber musician, pedagogue, and scholar. He has collaborated with prestigious institutions across the Americas and Europe as a concerto soloist, a recitalist, a chamber musician, and a master class clinician.

Go to Top