Author: Guy Fishman
Israeli-born cellist Guy Fishman is active as a concerto soloist, recitalist, chamber musician, and orchestral player. He was recently appointed Principal Cellist of Boston’s Handel & Haydn Society, with which he made his Symphony Hall solo debut in 2005. Mr. Fishman is in demand as an early music specialist in the United States and Europe, performing in recital and with Boston Baroque, Apollo’s Fire, Emmanuel Music, the Boston Museum Trio, Arcadia Players, and El Mundo. He performs on standard cello with the Orchestra of St. Luke’s, The Mark Morris Dance Group, the Albany Symphony Orchestra, the Colorado Music Festival, and the Springfield Symphony, where he has been guest principal cellist. He has performed in recital with Dawn Upshaw, Gilbert Kalish, Eliot Fisk, Daniel Stepner, Lara St. John, Richard Egarr, and Mark Peskanov, and has toured and recorded with pop artist Natalie Merchant.
Guy Fishman has performed in chamber music recitals in Boston’s Jordan Hall and Sanders Theater, and Weill Recital Hall, Merkin Concert Hall, and BargeMusic in New York. He has appeared at the Tanglewood, Kneisel Hall, Chautauqua, Aston Magna, Connecticut Early Music, and Musicorda festivals. He was a member of the New Fromm Players at Tanglewood, principal cellist of the New York String Orchestra at Carnegie Hall, and has performed in fringe recitals at the Boston Early Music Festival. He has also appeared on NPR broadcasts. His playing has been praised as “plangent” by the Boston Globe, “electrifying” by the New York Times, and “beautiful....noble” by the Boston Herald. A critic for the Boston Musical Intelligencer, listening to Guy’s recent performance of Haydn’s C-major concerto, related that he “…heard greater depth in this work than I have in quite some time.”
Guy Fishman is also active as an educator. He holds faculty positions at Bridgewater State University, Providence College, and Bryant University (RI). He presents lectures and masterclasses throughout the country, and maintains a private studio at his home in Arlington, MA.
Mr. Fishman started playing the cello at age 12, and at 16 began his Baccalaureate studies with David Soyer at the Manhattan School of Music. He subsequently worked with Peter Wiley, Julia Lichten, and Laurence Lesser, with whom he completed Doctoral studies at the New England Conservatory of Music. In addition, Mr. Fishman is a Fulbright Fellow, and spent his fellowship year in Amsterdam studying with the famed Dutch cellist Anner Bylsma. Mr. Fishman has recorded for the Coro, Centaur, Telarc, Titanic, and Newport Classics labels. His cello was made in Rome in 1704 by David Tecchler.
By Guy Fishman August 28, 2019
By Guy Fishman December 14, 2014
Subjects Baroque, Historical
By Guy Fishman December 1, 2014
Subjects Baroque, Historical
Tags Baroque, cellobello, CelloBlog, Grout, Guy Fishman, history, Michaelangelo, Stolba, Textbooks, Western Music
By Guy Fishman November 24, 2014
Subjects Baroque, Historical
Tags arm vibrato, Baroque, bow, bow vibrato, cellobello, CelloBlog, finger vibrato, Flesch, Guy Fishman, Haydn, vibrato
By Guy Fishman November 20, 2014
Subjects Baroque, Historical
Tags Baroque, CelloBlog, coaching, Flesch, Guy Fishman, Portamento, Soyer, Tertis, vibrato
By Guy Fishman October 20, 2014
By Guy Fishman October 15, 2014
Subjects Baroque, Historical
Tags Baroque, baroque bow, cello, Guy Fishman
By Guy Fishman September 29, 2014
Subjects Baroque, Historical
Tags Baroque, cello, cellobello, gut strings, Guy Fishman, Tim Janoff
By Guy Fishman September 22, 2014
Subjects Baroque, Historical
Tags Baroque, cello, CelloBlog, gut strings, Guy Fishman
By Guy Fishman September 15, 2014
Subjects Baroque, Historical
Tags Bach, Baroque, cello, Guy Fishman, Historical Performance, language
By Guy Fishman September 8, 2014
Subjects Baroque, Historical
Tags Baroque, blog, cello, gut strings, Guy Fishman, Teaching, vibrato
By Guy Fishman October 25, 2013
Subjects Baroque, Historical
Tags academic, Anner Bylsma, Bach Suites, Baroque, Beethoven, Boccherini, Brahms, Carter Brey, cellists, cello, cellobello, critic, curiosity, David Soyer, dual careers, endpins, experiments, gut strings, historically-informed performance, interest, Jascha Heifetz, Matt Haimovitz, modern playing, New York, Pablo Casals, Paul Katz, performance, possibility, prominence, teachers, Vivaldi, Yo-Yo Ma