Khari Joyner

About Khari Joyner

Described by the New York Classical Review as “one of the most exciting young musicians on the classical scene”, Khari Joyner has a following both nationally and abroad as a versatile soloist, chamber musician, and ambassador for the arts. He has made numerous guest appearances with orchestras and ensembles across the world, including two recent performances of both Saint-Saëns Cello Concerto in A Minor and Tchaikovsky’s Rococo Variations with the Atlanta Symphony Orchestra, which received rave reviews. In addition, he has given many cello masterclasses and lectures at notable institutions, most recently at Stetson University and Oberlin Conservatory. Joyner also received the 2017-2018 career grant from the Leonore Annenberg Fellowship Fund, which nominates and endows a select number of gifted artists with generous funding to further their careers. Joyner has also performed for Presidents Bill Clinton and Barack Obama, the latter for which he gave a private performance in the Oval Office. A passionate advocate for the music of the 21st century, Joyner has collaborated and given performances of works by major composers such as Tyshawn Sorey, Carman Moore, Kaija Saariaho, Magnus Lindberg, among many others. An active chamber musician and one of the founding members of the Altezza Piano Trio, Joyner also has given performances as a guest at the Ritz Chamber Players, Chamber Music Society of Central Virginia, Highlands-Cashiers Chamber Music Festival, Fontainbleau Music Festival, and on WQXR as a part of the Midday Masterpieces series. A graduate of Juilliard’s prestigious Doctor of Musical Arts program, he continues to serve as Teaching Assistant to his former teacher Joel Krosnick, and also pursued a mathematicsconcentration in an exchange program with Columbia University, while studying in Juilliard’s Accelerated BM/MM program. Joyner has also collaborated with choreographers and actors, and was even considered for the role of the young Nathaniel Ayers as part of the Hollywood film The Soloist.

Tyshawn Sorey’s “Cycles of My Being”

Inhale, Exhale. Hope. Whirlwind. Hate. Hope. Each Day I Rise, I Know. These words represent not only a powerful and provocative landscape, but also uniquely form the six movements of Cycles of My Being; a work by the creative genius and living composer/musician Tyshawn Sorey. I had the immense honor and privilege of being invited to perform the 2018 world premiere of Sorey’s work— scored for violin, cello, piano, tenor, and clarinet—on three separate occasions. The piece was a result of a co-commission from Opera Philadelphia, Carnegie Hall, and Lyric Opera of Chicago; while the music was presented by Sorey, the libretto was provided by poet Terrance Hayes (also a MacArthur Genius Grant Winner like Sorey), with the renowned and arresting tenor Lawrence Brownlee at the forefront. What was perhaps [...]

The World of Improvisation

Particularly for many classically trained musicians, the art of improvisation quite often seems like a world of mystery which—upon beginning to delve into the field—can quickly lead to a deep abyss! We spend so much time from a young age practicing and studying how to feel comfortable playing our instruments, how to sense a purpose in our sound, and ultimately how to mold the very fine black dots and stems on the page into a cosmic energy that we call music. The methods to classically train on any instrument are endless, but each has a common goal of building a foundation for the instruction of music education. And through music education, an aspiring musician can embark on a lifelong pursuit into the study and practice of music. But where does [...]

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