Wayne Burak

About Wayne Burak

Wayne combines an internationally recognized performance background with extensive experience in the string instrument trade.  Specializing in cellos, his interest in the construction, adjustment, and selection of fine stringed instruments has paralleled an active career as soloist, principal cellist and chamber collaborator.  Wayne attended the Eastman School of Music, receiving a B.M. in 1978 and finishing graduate work with a M.M., Performer’s Certificate, and a cello teaching assistant appointment in 1980.  He performed with the Rochester Philharmonic and toured the U.S. as cello soloist with Chuck Mangione during his Graduate years.  Also, he concurrently maintained a violin shop serving the needs of the Eastman community.  Since then, he has become nationally regarded for his cello work and acoustical set up expertise, and was invited to address the nation’s top violin-makers at the 1981 Violin Society of America National Convention presenting a lecture demonstration on old Italian cellos.  From 1982-1995, he held the position of Principal cellist of the Fort Worth Chamber and Symphony Orchestras.  Wayne has taught at the Eastman School of Music, University of North Texas, Texas Christian University, and Colorado College.  He regularly tours schools and universities, giving orchestral clinics, lecture demonstrations and master classes.  His interest in producing professional quality replicas of old Italian violins, violas, and cellos grew out of a desire to assist all members of the string community in their search for affordable yet superb quality instruments.  Currently a freelance cellist in the Dallas area, he is owner and president of Wayne Burak Music where he is assisted by his son, Nicholas.  Wayne has recently introduced an internationally critically acclaimed cello line – the A.D. Hawthorne Series, which provides artist level acoustics for budget minded cellists.

To learn more about Wayne, visit his website at http://www.wayneburakmusic.com/

About Those New Year’s Bow Resolutions…. — by Wayne Burak

New Year’s resolutions get significant attention right about now! Whether the subject is your living space, personal finance, diet, or exercise, every topic seems to be on the table. But what about the personal needs of your favorite bow—you know, the one that plays beside you in all of your performances and rehearsals? The one you have promised your eternal love and gratitude to, if it helps you get through the nearly impossible piece or gig? Hmm, did I think that, you ask? Bows have long memories, and yes at some point, you did promise. That is why your bow demands attention now!  Think of it like dinner, a movie, and a new outfit for your bow. But before we talk more of bows, let’s assume that you have already handled [...]

Do You Need a New Angle on Your Playing? — by Wayne Burak

One of the most tricky cello setup issues to self diagnose is the presentation of neck angle fatigue. Symptoms: You have to adjust your bow stroke to avoid hitting c bout edges.. The cello sound core is lost because your neck angle has dropped over time and is creating marginally successful practice days and challenging performances.. Nasal sounds are finding a home inside your cello...real clarity and power are only a misty concept... A single note repeatedly refuses to cooperate... A major attack simply evaporates without an actual sound... Your friends start to avoid you... You have thoughts of switching to viola...   Help: Seeing things from a different perspective can help your playing turn a corner.  If your instrument was made recently, say in the last decade or two, (or maybe even [...]

Are You a Manager of Your Cello’s Problems? — by Wayne Burak

In the past month I have had several cellists come in for adjustments. The interesting common denominator in each case was the complaint that something could not be achieved technically on the cello because of an adjustment issue. These problems ranged from neck angles being so low that the c bout edges were hit easily with the frog, fingerboards which were worn and misshapen, necks which were too thick (fatiguing the hand in fast passage work), to many bridge and soundpost position issues. One cellist remarked that he felt like he was managing inconsistencies and limitations which even affected his programming choices! What? I pondered this for several days while working on both new and old instruments. The central issue of course, is that the cello is proportionately successful to [...]

By |2017-08-03T22:12:33-04:00May 9th, 2011|Categories: Luthiers, Performance, Technology|Tags: , , , |

Know Your Cello — by Wayne Burak

It’s far enough in the past that I can’t remember the exact day it happened.  But I do remember the warning signs—the slightly racing pulse, the sweaty hands and labored breathing—you know, the need to pick up a woodworking plane, some files, chisels and fabricate a cello bridge. I think I had been through several days of lectures on isorhythmic motet, compliments of Eastman music history, when one day my mind drifted into a world of cello parts, setups, fingerboards, tops, backs, ribs, and the most delectable feature – varnish.  Really now, what is more enticing to look at than the iridescent play of colors jumping off of the cello back in the late afternoon sun in the Eastman Annex practice rooms?  It’s simply enough right there to take you [...]

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