CelloBello’s comprehensive repertoire database is an essential resource for cellists of all levels.
It not only lists common core cello repertoire, but it also contains several curated databases that feature works by underrepresented voices. These curated databases include the Sphinx Catalog of Latin American Cello Works, Works by Women Composers, Works by Black Composers, and 21st Century Cello Works. These curated databases were independently created by several dedicated musicians with passions for research and advocacy, and they continue to be enriched by composers, players, and publishers.
We hope this robust tool will empower cellists to discover new works and deepen their connection to the richness of the cello repertoire, and we are grateful for the collective generosity that has allowed us to provide this resource to a global audience.
|
Composer |
Country |
Title |
Instrumentation |
Year |
Duration |
Edition |
|---|---|---|---|---|---|---|
| Villa, Francesca | Italy | Tre Haiku – Variazioni Su Una Serie Dodecafonica | unaccompanied | 2014 | 5'' | find score |
| Villa-Lobos, Heitor | Brazil | Elegia | cello (or violin) and piano | 1916 | 3' | |
| Villa-Lobos, Heitor | Brazil | Sonata No. 2 Op. 66 | cello and piano | 1916 | 29' | |
| Villa-Lobos, Heitor | Brazil | O canto do cisne negro from ballet Naufrágio de Klêonicos | cello and piano | 1917 | 1'56" | |
| Villa-Lobos, Heitor | Brazil | Choros No. 2 | cello and violin | 1928 | 10' | |
| Villa-Lobos, Heitor | Brazil | Bachianas Brasileiras No. 1 | 8 cellos | 1930 | 18' | |
| Villa-Lobos, Heitor | Brazil | Bachianas Brasileiras No. 2 | cello and piano | 1930 | ||
| Villa-Lobos, Heitor | Brazil | O canto da nossa terra de las Bachianas Brasileiras No. 2 | cello and piano | 1930 | 5'20" | |
| Villa-Lobos, Heitor | Brazil | O canto do Capadoccio from Bachianas Brasileiras No. 2 | cello and piano | 1930 | 3' | |
| Villa-Lobos, Heitor | Brazil | O trenzinho do Caipira from Bachianas Brasileiras No. 2 | cello and piano | 1930 | 3'05" | |
| Villa-Lobos, Heitor | Brazil | Preludio y Fuga No. 8 by J.S. Bach | cello and piano | 1930 | 4'14" | |
| Villa-Lobos, Heitor | Brazil | Preludio y Fuga No. 10 by J.S. Bach | cello and piano | 1930 | ||
| Villa-Lobos, Heitor | Brazil | Preludio y Fuga No. 14 by J.S. Bach | cello and piano | 1930 | ||
| Villa-Lobos, Heitor | Brazil | Preludio y Fuga No. 22 by J.S. Bach | cello and piano | 1930 | 3'36" | |
| Villa-Lobos, Heitor | Brazil | Nocturno No. 2 Op. 9 by F. Chopin | cello and piano | 1931 | ||
| Villa-Lobos, Heitor | Brazil | Bachianas Brasileiras No. 5 | cello choir and soprano | 1938-1945 | 10'52" | |
| Villa-Lobos, Heitor | Brazil | Fuga en do menor (arreglo de la Fuga No. 8 del Libro I de | cello choir | 1941 | ||
| Villa-Lobos, Heitor | Brazil | Fuga en re mayor (arreglo de la Fuga No. 5 del Libro I de | cello choir | 1941 | ||
| Villa-Lobos, Heitor | Brazil | Fuga en si bemol mayor (arreglo de la Fuga No. 1 del Libro I de | cello choir | 1941 | ||
| Villa-Lobos, Heitor | Brazil | Fuga en si bemol mayor (arreglo de la Fuga No. 21 del Libro I de | cello choir | 1941 | ||
| Villa-Lobos, Heitor | Brazil | Preludio en re menor (arreglo del Preludio No. 8 del Libro I de | cello choir | 1941 | ||
| Villa-Lobos, Heitor | Brazil | Preludio en re menor (arreglo del Preludio No. 14 del Libro II de | cello choir | 1941 | ||
| Villa-Lobos, Heitor | Brazil | Preludio en sol menor (arreglo del Preludio No. 22 del Libro I de | cello choir | 1941 | ||
| Villa-Lobos, Heitor | Brazil | Fantasía | cello and orchestra | 1945 | 20'16" | |
| Villa-Lobos, Heitor | Brazil | Fantasía | cello and piano | 1945 | 18' | |
| Villa-Lobos, Heitor | Brazil | Divagacão | cello, piano and tom-tom (optional) | 1946 | 3' | |
| Villa-Lobos, Heitor | Brazil | Assobio a Jato | cello and flute | 1950 | 1' | |
| Villa-Lobos, Heitor | Brazil | Concierto No. 2 | cello and orchestra | 1953 | 24' | |
| Villa-Lobos, Heitor | Brazil | Fantasia | thirty-two cello ensemble | 1958 | 22' | |
| Villa-Lobos, Heitor | Brazil | Improviso | cello (or violin) and piano | |||
| Villa-Lobos, Heitor | Brazil | Pequena Sonata | cello and piano | 12' | ||
| Villa-Lobos, Heitor | Brazil | Preludio No. 8, bwv 853,de J.S. Bach | cello and piano | |||
| Villa-Lobos, Heitor | Brazil | Preludio No. 14, bwv 883,de J.S. Bach | cello and piano | |||
| Villa-Lobos, Heitor | Brazil | Cello Concerto, No. 1 | solo cello with orchestra | 1915 | 21' | |
| Villa-Lobos, Heitor | Brazil | Cello Concerto, No. 2 | solo cello with orchestra | 1953 | 24' | |
| Villalpando, Alberto | Bolivia | Sonatita de piel morena | cello and piano | 8'26" | ||
| Villani-Côrtes, Edmundo | Brazil | Concierto | cello and chamber orchestra | 1996 | 12' | |
| Villani-Côrtes, Edmundo | Brazil | Cinco Miniaturas brasileiras | cello and piano | 1978 | ||
| Villani-Côrtes, Edmundo | Brazil | Cinco Miniaturas brasileiras | 4 cellos | 1978 | 12'30" | |
| Villani-Côrtes, Edmundo | Brazil | Luz | cello and piano | 1995 | ||
| Villani-Côrtes, Edmundo | Brazil | Luz | 4 cellos | 2012 | ||
| Villani-Côrtes, Edmundo | Brazil | Divertimento 96 | 2 cellos | 1996 | ||
| Villani-Côrtes, Edmundo | Brazil | A sombra da mangabeira | cello solo | 2003 | ||
| Villani-Côrtes, Edmundo | Brazil | 7ª folha do diário de um Saci | 2 cellos | 3' | ||
| Villani-Côrtes, Edmundo | Brazil | Vocalize | cello and piano | 1978 | ||
| Villani-Côrtes, Edmundo | Brazil | Ponteio | cello solo | 2012 | ||
| Villani-Côrtes, Edmundo | Brazil | Prelúdio e Fuga | 4 cellos | 1983 | 4' | |
| Villani-Côrtes, Edmundo | Brazil | Valsinha de Roda | cello ensemble and soprano | |||
| Villani-Côrtes, Edmundo | Brazil | Contemplativo | cello and piano | find score | ||
| Villani-Côrtes, Edmundo | Brazil | 7ª folha do diário de um Saci | cello and double bass | 2003 |
You may notice that CelloBello looks a little different right now, and that new content and updates have temporarily slowed. That’s intentional: behind the scenes, we are carefully preparing for CelloBello’s next chapter as part of Chamber Music America.
Our priority during this transition is to thoughtfully preserve the remarkable resources, knowledge, and community that CelloBello has built over the years while preparing a new home that will extend its reach and connect it to CMA’s national community of musicians, ensembles, educators, presenters, and advocates.
We’re excited about what’s ahead and look forward to sharing much more soon. Thank you for your patience as this work progresses —please continue to enjoy CelloBello and check back for updates!
Kevin Kwan Loucks
CEO, Chamber Music America
Paul Katz
Founder and Artistic Director, CelloBello