My First Lessons with Gregor Piatigorsky

Paul Katz

In 1961, Jascha Heifetz, Gregor Piatigorsky and William Primrose joined the faculty of the University of Southern California where I was a cello student studying with the highly inspiring Gabor Rejto. As fate would have it, Rejto was leaving on sabbatical that year and so I auditioned for Piatigorsky and was admitted to his first class at USC. Two amazing years with him followed—he was truly a creative genius, a great psychologist, and a supportive father figure that cared deeply about everyone that he taught.

We were a new class of students, however, and  as we entered the room that first day, none of us knew what to expect:

Excited that I was going to be studying with the ‘Great Grisha,’  I bought a new short-sleeved, bright orange shirt for this special occasion. Made from a material called Ban-Lon, an early synthetic similar to nylon, it was most likely a golf shirt! The big day came, and I entered the room, nervous, excited and focused on playing the Dvorak Concerto. But Piatigorsky took one look at me in my California orange and threw me out, telling me to come back in a suit and tie. There then followed a speech about the dignity of the artist which, in my traumatized condition,  I thought would never end.  The room was full of the new class of cellists,  He made fun of me for not knowing how to present myself, and although he did it in a good-natured manner, I was humiliated!

I returned to his second class meeting, three days later, and he threw me out again! My suit was not properly tailored! The coat sleeves were too long and hung over my hands.  “Mr. Katz,” he respectfully, (and perhaps a bit sarcastically) said, “you vant to be grrreat cellist? You vant za puple in audience to love and rezpect you, and you drress like zis?” Piatigorsky then took his own coat sleeves, pulled them down over his knuckles, and with a hopeless, sad-sack facial expression, shuffled dejectedly around the room. He got a hilarious response from the class…and I looked for a hole into which I could crawl!

I was a completely unsophisticated 19 year old, and Piatigorsky was one of the planet’s great aristocrats, elegant, extraordinarily wealthy, toast of the world, very aware of image and presentation (watch his videos)! He proceeded to give me a serious lesson in how shirt cuffs need to be 2″ longer than jacket sleeves, so that the shirt cuff (and the cuff links of course!) would be visible when holding the hands up in playing position. He then told me to go have my suit properly tailored before I came back.

It was a much more formal world 50 years ago, and looking back on that day, I laugh at my lack of judgment and I understand the importance of his criticism—I needed that “lesson”!

Over the next two years I came to love and adore Piatigorsky, and I now thank him for everything that he taught and inspired in me. He not only helped my stage presentation and appearance, he gave me the strength and confidence to open emotionally and project music from the stage.

But yes,  how to tailor coat sleeves was actually the very first thing I learned from Gregor Piatigorsky!

– Paul Katz

AUTHOR

Paul Katz

Paul Katz is known for his 26-year career as cellist of the internationally acclaimed Cleveland Quartet; as a world-renown teacher of his instrument; for his featured role mentoring young cellists in the made for PBS film Talent Has Hunger, directed by Academy Award nominated Director Josh Aronson; and as Founder and Artistic Director of CelloBello.org, the world’s leading online resource center for cellists. As soloist Katz has played throughout North America, Europe and China. Of special interest to cellists is the Cleveland Quartet’s recording of the Schubert Quintet for two cellos with Paul Katz and Yo-Yo Ma.

In 2010, with the support of WGBH in Boston and NEC, Katz created CelloBello.org,  “to build a global cello community that serves all cellists and enthusiasts world-wide with the highest level of musical instruction, inspiration and interaction, regardless of location, race, socio-economic status, or ability level".  Katz’s video lessons are in seven languages and interviews, blogs, live cello chats, streamed concerts and masterclasses are contributed by dozens of the world’s greatest artist/teachers.

Mr. Katz has received many honors, including the American String Teacher’s Association “Artist-Teacher of the Year 2003;” Indiana University’s “Chevalier du Violoncelle,” awarded for distinguished achievements and contributions to the world of cello playing and teaching; Chamber Music America’s highest honor, The Richard M. Bogomolny National Service Award, awarded for a lifetime of distinguished service in the field of chamber music; and an Honorary Doctorate of Musical Arts from Albright College. Mr. Katz served for six years as President of Chamber Music America, the national service organization in the United States that has in its membership virtually all of the country’s professional chamber music ensembles, as well as hundreds of presenting organizations, music festivals and managers. As an author, he has appeared in numerous publications and wrote the liner notes for the Cleveland Quartet’s three-volume set of the complete Beethoven Quartets on RCA Red Seal.

Mr. Katz has appeared as soloist in New York, Cleveland, Toronto, Detroit, Los Angeles, and other cities throughout North America. He was a student of Gregor Piatigorsky, Janos Starker, Bernard Greenhouse, Gabor Rejto and Leonard Rose. In 1962 he was selected nationally to play in the historic Pablo Casals Master Class in Berkeley, California and was a prizewinner in the Munich and Geneva Competitions. Of special interest to cellists are his recordings of the Dohnanyi Cello Sonata for ProArte Records and the Cleveland Quartet’s recording on Sony Classical of the Schubert two-cello quintet with Yo-Yo Ma. The Cleveland Quartet has nearly 70 recordings to its credit on RCA Victor, Telarc International, Sony, Philips and ProArte. These recording have earned many distinctions including the all-time best selling chamber music release of Japan, 11 Grammy nominations, Grammy Awards for Best Chamber Music Recording and Best Recorded Contemporary Composition in 1996, and “Best of the Year” awards from Time Magazine and Stereo Review.

In September of 2001, Mr. Katz joined the faculty of The New England Conservatory of Music in Boston, following five years at Rice University in Houston and twenty years (1976-1996) of teaching at the Eastman School of Music. He has mentored many of the fine young string quartets on the world’s stages today including the Ariel, Biava, Balourdet, Cavani, Chester, HarlemJupiterKussLafayetteMaiaMelioraOmerParkerT’ang, Verona and Ying Quartets. One of America’s most sought after cello teachers, his cello students, in addition to membership in many of the above quartets, have achieved international careers with solo CD’s on Decca, EMI, Channel Classics and Sony Classical.  They occupy positions in many of the world’s major orchestras including principal chairs of orchestras such as Detroit, Los Angeles,  St. Louis, Oslo, Norway and Osaka, Japan, and are members of many American symphony orchestras such as Buffalo, Chicago, Cleveland, Detroit, Los Angeles, National Symphony, Pittsburgh, Rochester and St. Louis.

Mr. Katz has been a participant at many of the world’s major summer music festivals and schools including the Aspen Festival, Marlboro Festival, Bowdoin Festival, the Yale Summer School of Chamber Music, the Perlman Music Program, Yellow Barn, the Schleswig-Holstein Music Festival in Germany, ProQuartet in France, Domaine Forget, Orford, Toronto Summer Music, and the Banff Center for the Arts in Canada, the Steans Institute of The Ravinia Festival, The Heifetz Institute, and served as Director of the young artists program at the Great Lakes Chamber Festival. His hundreds of master classes worldwide include many of the major music schools of North and South America, Europe, Israel, Japan and China. Mr. Katz frequently sits on the juries of international cello and chamber music competitions, including the Leonard Rose International Cello Competition, the Gyeongnam International Cello Competition in Korea, and the international string quartet competitions of Banff, London, Osaka, Munich, Graz and Geneva.

Paul Katz resides in Boston, MA with his wife, pianist Pei-Shan Lee and plays an Andrea Guarneri cello dated 1669.

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