Category: Historical

A Much Maligned Cellist: The True Story of Felix Salmond and the Elgar Cello Concerto (Part 3)

By Tully Potter February 13, 2018

Subjects Historical, Repertoire

Tags cello concerto, composers, criticism, Elgar, Felix Salmond, london symphony orchestra, premiere, recording

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A Much Maligned Cellist: The True Story of Felix Salmond and the Elgar Cello Concerto (Part 2)

By Tully Potter February 5, 2018

Subjects Historical, Repertoire

Tags cello concerto, composers, criticism, Elgar, Felix Salmond, premiere

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A Much Maligned Cellist: The True Story of Felix Salmond and the Elgar Cello Concerto (Part 1)

By Tully Potter February 5, 2018

Subjects Historical, Repertoire

Tags cello concerto, composers, Elgar, Felix Salmond, premiere

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HIP, To Be Fair

By Brant Taylor December 17, 2015

Subjects Historical

Tags Brant Taylor, cellobello, Chicago Symphony, CSO, Historical Performance

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A Return to “What Makes a Baroque Cellist”: a Slight Digression about Textbooks (Part 2)

By Guy Fishman December 14, 2014

Subjects Baroque, Historical

Tags Alexanian, Baroque, cellobello, CelloBlog, Gabrielli, Guy Fishman, Handel, Romberg, Scarlatti, Telemann, Vivaldi

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A Return to “What Makes a Baroque Cellist”: a Slight Digression about Textbooks (Part 1)

By Guy Fishman December 1, 2014

Subjects Baroque, Historical

Tags Baroque, cellobello, CelloBlog, Grout, Guy Fishman, history, Michaelangelo, Stolba, Textbooks, Western Music

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On How to Play the Baroque Cello: Vibrato (Part 2)

By Guy Fishman November 24, 2014

Subjects Baroque, Historical

Tags arm vibrato, Baroque, bow, bow vibrato, cellobello, CelloBlog, finger vibrato, Flesch, Guy Fishman, Haydn, vibrato

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On How to Play the Baroque Cello: Vibrato (Part 1)

By Guy Fishman November 20, 2014

Subjects Baroque, Historical

Tags Baroque, CelloBlog, coaching, Flesch, Guy Fishman, Portamento, Soyer, Tertis, vibrato

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On How to Play the Baroque Cello: the Baroque Bow, or What Your Ear Imagines Your Bow Should Do (Part 3)

By Guy Fishman November 12, 2014

Subjects Baroque, Historical

Tags Baroque, Bow Michelle Corrette, cellobello, CelloBlog, Guy Fishman

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On How to Play the Baroque Cello: the Baroque Bow, or What Your Ear Imagines Your Bow Should Do (Part 2)

By Guy Fishman October 20, 2014

Subjects Baroque, Historical

Tags Bach, Baroque, Beethoven, bowing, bows, CelloBlog, Corelli, Guy Fishman, Vivaldi

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On How to Play the Baroque Cello: the Baroque Bow, or What Your Ear Imagines Your Bow Should Do (Part 1)

By Guy Fishman October 15, 2014

Subjects Baroque, Historical

Tags Baroque, baroque bow, cello, Guy Fishman

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On How to Play a Baroque Cello: Gut Strings (Part 2)

By Guy Fishman September 29, 2014

Subjects Baroque, Historical

Tags Baroque, cello, cellobello, gut strings, Guy Fishman, Tim Janoff

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On How to Play a Baroque Cello: Gut Strings (Part 1)

By Guy Fishman September 22, 2014

Subjects Baroque, Historical

Tags Baroque, cello, CelloBlog, gut strings, Guy Fishman

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On “What Makes a Baroque Cellist”: Foreign Languages (Part 2)

By Guy Fishman September 15, 2014

Subjects Baroque, Historical

Tags Bach, Baroque, cello, Guy Fishman, Historical Performance, language

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On “What Makes a Baroque Cellist”: Foreign Languages (Part 1)

By Guy Fishman September 8, 2014

Subjects Baroque, Historical

Tags Baroque, blog, cello, gut strings, Guy Fishman, Teaching, vibrato

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