Category: Technique

The Joy of Feuillard – A Sequential Approach to Teaching Bow Technique (Part 6 – Feuillard #32, Variations #4-7)

By Robert Jesselson October 22, 2018

Subjects Repertoire, Technique

Tags bow distribution, expressive intonation, Feuillard, fundamentals, intonation, left hand frame, multi-tasking, staccato, Teaching, The Joy of Feuillard

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The Joy of Feuillard – A Sequential Approach to Teaching Bow Technique (Part 5 – Feuillard #32 – Theme and Variations 1-3)

By Robert Jesselson October 13, 2018

Subjects Repertoire, Technique

Tags bow control, bow distribution, bow speed, bow technique, contact point, Feuillard, intervals, intonation, right hand, Teaching, The Joy of Feuillard, tone production

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The Joy of Feuillard – A Sequential Approach to Teaching Bow Technique (Part 4 – Preliminaries: The Second Lesson)

By Robert Jesselson October 7, 2018

Subjects Repertoire, Technique

Tags bow control, bow technique, contrary motion, core, Feuillard, right hand, Teaching, The Joy of Feuillard, tone production

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The Joy of Feuillard – A Sequential Approach to Teaching Bow Technique (Part 3 – Preliminaries: The First Lesson)

By Robert Jesselson September 30, 2018

Subjects Repertoire, Technique

Tags Arm Geography, Block Sound, bow control, bow technique, core, Feuillard, Teaching, The Joy of Feuillard

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The Joy of Feuillard – A Sequential Approach to Teaching Bow Technique (Part 2 – The Sequential Method)

By Robert Jesselson September 23, 2018

Subjects Repertoire, Technique

Tags bow control, bow technique, Efficiency, Feuillard, Lesson Structure, Teaching, The Joy of Feuillard

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The Joy of Feuillard – A Sequential Approach to Teaching Bow Technique (Part 1 – Introduction)

By Robert Jesselson September 17, 2018

Subjects Repertoire, Technique

Tags bow control, bow distribution, bow technique, Feuillard, sound production, Teaching, The Joy of Feuillard

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Vowels and Sound Production on the Cello

By Gregory Beaver January 29, 2018

Subjects Technique

Tags contact point, language, overtones, sound production

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Conquering Coordination Through Broken-Rhythm Patterns

By Blogmaster June 14, 2017

Subjects Practicing, Technique

Tags Coordination, Practice, Rhythm

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The Most Erogenous Region of the Cello

By Stefanie Buller April 19, 2017

Subjects Playing Healthy, Technique

Tags Alexander Technique, bow, contact point, tension

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100 Cello Warm-Ups and Exercises Blog 21: Alexanian Exercises

By Robert Jesselson February 29, 2016

Subjects Practicing, Technique

Tags 100 cello warm-ups and exercises, alexanian exercise, cello exercise, cello warmup, cellobello, CelloBlog, Robert Jesselson

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100 Cello Warm-ups and Exercises Blog 20: Thumb Position and the Upper Registers (Part 2)

By Robert Jesselson February 18, 2016

Subjects Practicing, Technique

Tags 100 cello warm-ups and exercises, Cello Exercises, cello technique, cello warmups, cellobello, CelloBlog, configuration, Robert Jesselson, scales, tetrachord, thumb position

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100 Cello Warm-ups and Exercises Blog 19: Cello Geography Part 5: Thumb Position and the Upper Registers

By Robert Jesselson February 8, 2016

Subjects Practicing, Technique

Tags 100 cello warm-ups and exercises, Cello Exercises, cello technique, cello warmups, cellobello, CelloBlog, Robert Jesselson, scales, thumb position

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Reflections on Bernard Greenhouse and the Importance of the Back

By Selma Gokcen January 21, 2016

Subjects Artists, Technique

Tags Alexander Technique, Bernard Greenhouse, cellobello, CelloBlog, Selma Gokcen

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100 Cello Warm-Ups and Exercises Blog 18: Cello Geography Part 4: The Fabulous Thumb

By Robert Jesselson January 18, 2016

Subjects Practicing, Technique

Tags 100 cello warm-ups and exercises, cello thumb, cellobello, CelloBlog, Robert Jesselson

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100 Cello Warm-Ups and Exercises Blog 17: Cello Geography Part 3: The “Mary System”

By Robert Jesselson December 14, 2015

Subjects Practicing, Technique

Tags 100 Cello Exercises, 100 cello warm-ups and exercises, cello scales, cellobello, CelloBlogs, Robert Jesselson

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