Exiles in Paradise: on the “Hollywood Renaissance” and Finding New Repertoire for the Cello: Part 1
This article is the first installment in a two-part series As cellists, we tend to think of much of the repertoire that we play as European cultural traditions that we have assimilated. We generally associate American musical tradition with Copland, Ives, Gershwin and perhaps a few brief years in the life of Antonin Dvorak. Many musicians are unaware, however, that in the first half of the 20th century, an influx of European refugees, fleeing war and persecution, rapidly formed, within a few square miles near Hollywood, one of the most talented and prolific communities in music history. As they attempted to rebuild their lives in this exotic paradise, they indelibly altered the course of American culture. Performers living in Los Angeles during this era included Jascha Heifetz, William Primrose, [...]
