Beethoven Archives

Exploring Beethoven’s Fifth Symphony — by Jonathan Pegis

Here in just a few measures is an excerpt that has confused, befuddled, and downright scared more cellists than just about any other excerpt (please click image to enlarge): The theme from the second movement of Beethoven's fifth, along with the first two variations, shows up on the vast majority of cello audition lists. I thought it would be educational to spend some time exploring this theme, and future blogs will explore the first and second variations. To begin with, this excerpt is one of a handful that I have coached for many years where I am actually LESS confident than I used to be. Why? Because every teacher, every coach, and every conductor has had radically different ideas about all the different aspects of this theme. Temp, color, dynamic, [...]

By Jonathan Pegis|2017-07-15T05:12:25-04:00October 19th, 2012|Categories: Auditions, In the Practice Room, Orchestra, Performance, Repertoire|Tags: markings, cellobello, confidence, education, teacher, Audition, Excerpts, pressure, Teaching, coaching, nerves, inflection, mistakes, dynamics, release, orchestral excerpts, orchestra, recording, Beethoven, accents, Preparation, singing, bow speed, blog, control, sustain, Rhythm, bow changes, Symphony, vibrato, technical challenges, phrasing, legato, cello, variations, practicing|

Behind the Scenes of a Music Festival (Part 1): The Vision Thing — by Aron Zelkowicz

By self-imposed annual tradition, recent weeks have been crunch time, when a year’s worth of planning comes to fruition. My pet project, the Pittsburgh Jewish Music Festival, held sway in early June where, for the past several years, it has settled in the form of four concerts. I thought it might serve as a useful case study to explore various behind-the-scenes topics. This is the season when myriad music festivals around the country are in full bloom. What is the take-away experience from any one of these that makes it unique? Even traditional chamber music festivals have their own trademark DNA that set them apart, from big issues (BUDGET, LOCATION) to small (I’m playing in a festival this summer that offers a cookbook featuring the players’ signature recipes—cool!). Festival X [...]

By Aron Zelkowicz|2017-11-01T00:33:07-04:00July 16th, 2011|Categories: Artistic Vision, Chamber Music, Repertoire|Tags: vision, musicians, Zelkowicz, Community, artistry, support, Beethoven, training, Performing, festivals, cello, Aron, cellobello, composer, music, resources, Experience, score|

Cycles, Shostakovich, and the Final Four — Brandon Vamos

I often get asked about performing cycles. I am a member of a Quartet that is passionate about performing cycles of music, including the complete string quartets of Beethoven, Carter, Mendelssohn, and Shostakovich (among others). But why bother with cycles? What do they have to offer us a musicians or audience members? I like to think of it like I think of my Vikings (in case you didn’t know, I’m a huge fan). Why bother following a team game to game or season to season? Well for one, you start to learn the language of the game. Not just the game of football itself, but how that TEAM plays the game. The aggressive way they run plays or their team personality, what feeling they leave with you at the end [...]

By Brandon Vamos|2020-12-14T04:46:52-05:00March 28th, 2011|Categories: Artistic Vision, Chamber Music, Performance, Repertoire|Tags: challenge, understanding, composers, unique, Quartet, composition, Brandon, concert halls, context, experiences, musicians, melodies, performances, perspective, string quartet, Beethoven, audiences, Shostakovich, cello, themes, cellobello, cellist, Touring, humor|

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