bow arm Archives

Conversation with Victor Sazer (1997)

Interview by Tim Janof Victor Sazer is the author of New Directions in Cello Playing. His teachers included Leonard Rose, Edgar Lustgarten, Claus Adam and George Neikrug. After leaving Juilliard, he became a member of the Houston Symphony. He later moved to Los Angeles where he enjoyed an active professional life in the film, television, and recording industries and as a chamber musician. Throughout his career, Mr. Sazer has been deeply committed to teaching and is widely recognized for his innovative and creative teaching methods. He served as an artist-teacher of cello and chamber music at the California State University at Long Beach for more than twenty years. He is a past president of the California American String Teachers Association and a founding member of the Los Angeles Violoncello Society. [...]

By Tim Janof|2024-03-04T13:19:41-05:00September 13th, 2021|Categories: Internet Cello Society Archive, Artistic Vision, Interviews, Performance, Playing Healthy, Repertoire, Self Discovery|Tags: Janos Starker, tension, Victor Sazer, vibrato, New Directions in Cello Playing, Left Hand Thumb, Technique, Sitting Position, pain, bow arm, Bach|

Remembering Anner Bylsma

I play early music on period instruments because of the great Dutch cellist Anner Bylsma, who passed away on July 25 at the age of 85. When I was 14 I entered the classical music section of a Tower Records store where Bylsma’s recent release of arrangements of music for unaccompanied flute and violin by J.S. Bach, performed on his son’s 7/8ths-sized cello tuned like a violin, was being played. I didn’t pay much attention to it until Bylsma hit the final note of the prelude to the E major Partita, BWV 1006. It ended a driven but, as I realized much later, subtly nuanced and very “spoken” performance. It seemed the energy stored by what had preceded the note was fully released by it: powerfully, beautifully, emphatically, and most [...]

By Guy Fishman|2019-10-31T15:41:59-04:00August 28th, 2019|Categories: Performance|Tags: Anner Bylsma, bow arm, Baroque, bach the fencing master|

Developing a Technique to Improve Your Talent

In the United States, there has been a strong push to reform our general education in recent years, with federal initiatives like No Child Left Behind and Race to the Top capturing headlines as innovative ways to improve the worst-performing schools in our country. On the other extreme are teachers like me who are working primarily with students one on one in intensive hour-long lessons on a weekly basis to achieve the pinnacle of possibility. One thing that has always fascinated me is the question of talent: is it innate, or can one learn it? Many of my teachers have made statements such as “anyone can be taught how to play the cello, but there are some things that are innate and cannot be taught,” “That’s god-given talent” and so on. I have [...]

By Gregory Beaver|2019-03-04T03:19:01-05:00May 20th, 2013|Categories: Artistic Vision, In the Practice Room, Performance, Playing Healthy, Self Discovery|Tags: improvement, general education, talent, improving your talent, speeding up the learning process, teachers, Performing, breathing, cello, bow grip, goals, bow arm, complete release, conventional wisdom, motivation, Developing a Technique, Technique, focus points|

THINKING IN A NEW WAY—Overcoming Habits (Part 2 of 6): Finding our Source of Power — by Selma Gokcen

"You translate everything, whether physical, mental or spiritual, into muscular tension.” It is not the degree of ‘willing’ or ‘trying’, but the way in which the energy is directed, that is going to make the ‘willing’ or ‘trying’ effective.” The stiffened necks and arms of people of today are outward signs of the imperfect development and lack of coordination of the muscular system of the back and spine. —F.M. Alexander Any athlete, and I include musicians here, who is aiming for the top level of performance is by definition working to improve their coordination, timing, balance and accuracy of movement. But musicians have another reason for wanting a reliable 'instrument' (I refer here to their own body, not their musical instrument). We want the freedom to immerse ourselves in the [...]

By Selma Gokcen|2017-10-30T05:15:43-04:00February 11th, 2013|Categories: Alexander Technique for Cellists, Beyond the Traditional, Playing Healthy|Tags: powerful force of energy, cellobello, willing, Selma, proper weight transfer, music, ability, relationship of the head back and spine, cellists, quietness, sharpening the senses, musicians, attention to detail, Six Part Series, bow arm, tension in the neck, Habits, creating balance, the back, instrumentalists, cultivate awareness, Thinking in a new way, Listening, energy flowing through the body, top level performing, Alexander Technique, opposition, trying, Gokcen, Part II, cello, well-coordinated body|