career Archives

Music Schools – Is It Time To Shift What We Educate For?

By William Fedkenheuer In over 20 years, I’ve played over 1600 professional string quartet concerts for over 425 organizations in my career to date Of those, only 30% had me back for a second time Wait for it... Only 9% of those had me back more than 5 times (~ 40 organizations) AND. If I look really closely There are twenty organizations that have made my career, my life, what it is A full life. 20 years, 20 organizations 9% And then I look at what music education is prepping us for.What stories is it telling us or NOT telling us What fantasies is it selling and WHAT are the REALITIES? How antiquated IS our music education? We’re stuck in old patterns of soloist, orchestra, chamber musician, teacher AND we’re [...]

By William Fedkenheuer|2023-02-06T11:54:38-05:00June 4th, 2021|Categories: Artistic Vision, Chamber Music, Performance, Self Discovery, Teaching|Tags: career, entrepreneurs, Music Education, Teaching|

Conversation with Glenn Garlick (September, 1995)

Interview by Tim Janof Glenn Garlick is the Assistant Principal Cellist of the National Symphony in Washington, DC. TJ: Looking over your bio, I see you studied at Eastman with Ron Leonard, who is now principal cellist of the LA Philharmonic. Did he have any principal themes in his teaching? GG: Time and time again I give thanks to Ron Leonard for the work he did with my bow arm. The thing that Ron did the most was to clean up my approach to the bow. He had excellent training himself, being a disciple of Leonard Rose and the legendary violinist, Ivan Galamian, who taught at Juilliard and ran the Meadowmount Music Camp during the summers. Ron also played for Casals and was the principal cellist of the Casals Festival [...]

By Tim Janof|2021-04-26T16:25:32-04:00April 19th, 2021|Categories: Internet Cello Society Archive, Artistic Vision, Interviews, Orchestra, Performance, Repertoire|Tags: Ron Leonard, Joseph Gingold, Orchestral Playing, career, Mstislav Rostropovich|

Conversation with Lynn Harrell (June, 1996)

Interview by Tim Janof Lynn Harrell is known throughout the world as a cellist, chamber musician, recitalist, conductor, teacher, and recording artist. Mr. Harrell is the recipient of numerous prestigious awards, including the Piatigorsky Award, the Ford Foundation Concert Artists' Award, and the first Avery Fisher Prize (jointly with Murray Perahia). TJ: As a teenager you lost both your parents. This kind of trauma would emotionally cripple most people for years. How did you manage to overcome this tragedy and become one of the world's most acclaimed cellists? LH: It took me a long time to come to terms with it. It's an experience that I wouldn't wish on anyone. But I have found the resilience of the human spirit to be extraordinary. Look at what is going on in Bosnia [...]

By Tim Janof|2024-03-11T13:14:27-04:00March 8th, 2021|Categories: Internet Cello Society Archive, Artistic Vision, Interviews, Orchestra, Performance, Repertoire, Self Discovery|Tags: musicality, bow hold, Interpretation, career, Orlando Cole, Leonard Rose, George Szell, Bach Suites|

Conversation with Karine Georgian (November, 2004)

Interview by Tim Janof Born into a family of musicians in Moscow, Karine Georgian began her cello studies at the age of five under her father, later studying at the Moscow Conservatoire under Rostropovich. After taking the First Prize and Gold Medal at the Third Tchaikovsky International Competition, she launched an international career that has spanned all the countries of the former Soviet Union, Eastern and Western Europe, the Far East, and the United States, starting with the American premiere of Khachaturian's Cello Rhapsody with the Chicago Symphony conducted by the composer (her recording with the composer and the Moscow Bolshoi Radio Symphony Orchestra has recently been reissued by Melodiya/BMG Classics). Today, Karine Georgian is a seasoned performer with a vast experience on concert platforms across the world, having appeared [...]

By Tim Janof|2020-12-02T22:43:14-05:00November 25th, 2020|Categories: Internet Cello Society Archive, Artistic Vision, Competition, Interviews, Performance|Tags: performance, competitions, Mstislav Rostropovich, Jacqueline du Pré, Thomas Hemsley, career, Glenn Gould|

Interview with Eva Heinitz (December, 1997)

Interview by Tim Janof Honored by Janos Starker as La Grande Dame du Violoncelle for her lifetime contributions to cello and cello teaching, Eva Heinitz is also known throughout the world for her pioneering work with the viola da gamba. She has performed in solo and chamber music concerts throughout Europe and North and South America, appearing as soloist with the Chicago, Pittsburgh, Seattle, and Vancouver Symphonies. She is Professor Emeritus of Cello at the University of Washington. Eva Heinitz is the most powerful presence I have ever met, ever. At 91 years old, she has more fire in her soul than most 20 year olds. Her opinions are strong and passionate, and she states them with a disarming confidence. Born in Berlin in 1907, she grew up in one of the greatest musical centers of [...]

By Tim Janof|2020-11-25T20:17:31-05:00November 18th, 2020|Categories: Internet Cello Society Archive, Artistic Vision, Interviews, Pablo Casals, Performance|Tags: Hugo Becker, Albert Einstein, Viola da gamba, Early Music, Pablo Casals, career|

Conversation with Matt Haimovitz (July, 2003)

Cellist Matt Haimovitz has established himself as one of classical music's most adventurous artists, equally at ease playing the masterworks for his instrument in solo, chamber, and concerto performances in leading concert halls as he is bringing classical music to new listeners in surprising new venues. A teacher, a record label entrepreneur, and a celebrated performer, Haimovitz manifests his love of music not only in the seriousness with which he approaches his work but also with his warm demeanor and the natural expressiveness of his playing. Haimovitz has made headlines with his path-breaking performances of Bach's 6 Suites for Cello Solo. He struck a nerve in the music world with his unprecedented Bach "Listening-Room" Tour, taking Bach's beloved cello suites out of the concert hall and performing them in intimate [...]

By Tim Janof|2023-10-30T13:35:42-04:00October 29th, 2020|Categories: Internet Cello Society Archive, Artistic Vision, Beyond the Traditional, Interviews, Pablo Casals, Performance, Self Discovery|Tags: career, Irene Sharp, Gabor Rejto, Ron Leonard, Leonard Rose, Contemporary Music, improvisation, Itzhak Perlman, Pablo Casals|

Conversation with Bion Tsang (July, 1997)

Interview by Tim Janof Bion Tsang has appeared as soloist with the New York, Moscow, and Hong Kong Philharmonic Orchestras, the National, American, Atlanta, and Pacific Symphony Orchestras, the Stuttgart Chamber Orchestra, and the Taiwan National Orchestra. Mr. Tsang's career as a chamber musician has been equally distinguished, marked by numerous collaborations with violinists Cho-Liang Lin and Pamela Frank, frequent appearances as guest artist of the Boston Chamber Music Society, and performances at festivals such as Marlboro Music, the Portland and Seattle Chamber Music Festivals, and the Laurel Festival of the Arts, where he serves as Artistic Director. TJ: You studied with some illustrious musicians- Leonard Rose, William Pleeth, and Aldo Parisot. What were they like as teachers? BT: I didn't study long enough with Leonard Rose or William Pleeth [...]

By Tim Janof|2022-11-09T21:16:52-05:00October 7th, 2020|Categories: Internet Cello Society Archive, Artistic Vision, Chamber Music, Competition, Interviews, In the Practice Room, Pablo Casals, Performance, Repertoire|Tags: Pablo Casals, career, Aldo Parisot, Leonard Rose, William Pleeth, Portato, Projection, Rostropovich, competitions|

Objects — by Arnold Steinhardt

Last summer I was once again a participant in the Marlboro Music Festival. As always, the school generously provided my wife, Dorothea, and me with a house off campus. This time we were given the former home of David Soyer, the cellist of our Guarneri String Quartet for thirty-seven of its forty-five-year existence. Dave passed away in 2010, his wife, Janet, in 2011. I knew Dave and Janet’s house rather well, a charming, rustic old place set in the woods, and I looked forward to staying in it. When people asked me whether I wouldn’t feel funny living in their house now that they were gone, I laughed and said no at first without really thinking much about it. But then I began to wonder whether Dave and Janet would [...]

By Arnold Steinhardt|2018-03-18T18:30:07-04:00March 4th, 2014|Categories: Interpersonal Relationships|Tags: incisiveness, string quartet, intelligence, Italy, posters, Jacqueline du Pré, memories, Marlboro Music Festival, David Soyer, memory-inducing objects, Arnold, musical world, career, Guarneri String Quartet, obituary, cello, Steinhardt, Peter Wiley, cellobello, beauty of phrasing, remembrance, students, In the Key of Strawberry, Spoleto, teacher|

Delta Kicks Lynn Harrell out of Frequent Flyer Program for Buying Cello its Own Seat

Reprinted from TheConsumerist.com Not wanting to become the Dave Carroll of the classical music world, solo cellist Lynn Harrell purchases a second seat for his cello when they travel together. This should keep everyone happy. The airline sells an extra seat to a very quiet and compliant passenger, and Harrell racks up extra frequent flyer miles that he can put toward future travel for his cello. Delta isn’t happy, though: they’ve kicked him out of their frequent-flyer program and banned him from it forever. His crime? Accruing the frequent-flyer miles that the airline granted to his cello. It’s not exactly a scam to earn free vacations, since he will keep buying full-fare tickets for his instrument for the rest of his career. Okay, it is against the SkyMiles terms and [...]

By Blogmaster|2017-10-30T05:18:11-04:00November 14th, 2012|Categories: Cello Travel|Tags: flying, flying with a cello, cellist, flying with instruments, Delta Airlines, career, power, cello, cellobello, air travel|

The F-Word — by Aron Zelkowicz

“Do you play with a regular ensemble?” the lady at Kinko’s asked me. Lately I’ve noticed this to be one of the routine first questions that new acquaintances throw my way, especially in New York. My theory is that music aficionados latch on to this question, while novices (often in airports, as we can all testify) tend to focus on the size of the cello case and the hilarity of imagining something else inside it: an AK-47, King Kong’s tennis racket, mother. In this instance my cello was not with me, but the scraps of dissected scores scattered across the work station easily gave away my vocation. She asked, “Do you play with a regular ensemble?”, which is exactly the wording that gets me like a deer in headlights. The [...]

By Aron Zelkowicz|2021-09-10T16:21:12-04:00May 11th, 2011|Categories: Beyond the Traditional, Interpersonal Relationships, Self Discovery|Tags: orchestras, Teaching, chamber music, radio, career, routine, musician, environment, self-improvement, cello, cello case, social, cellobello, Competition, string quartets, music, freelance, Auditions, fundraising, masterclasses, repertoire, New York City, orchestral tours, ensemble|

Self-Motivation and Summer Vacation — by Brandon Vamos

As I helped my students over the last few weeks in preparation for their juries and looked through my calendar to discover how many recitals I will be attending before the middle of May, it suddenly hit me. The end of the school year is upon us once again. That time when there’s one final burst of juries and lessons, tests and papers before summer vacation hits. And after a long academic year, summer vacation can offer a welcome change. I remember those summers I was attending summer programs, and had three or four weeks off, or those students who sometimes have the entire summer devoted to working or relaxation. But regardless of what your summer plans may look like this year, I’d encourage you to remember one very important [...]

By Brandon Vamos|2018-03-14T04:34:06-04:00May 5th, 2011|Categories: In the Practice Room, Self Discovery|Tags: challenges, Performing, focus, cello, motivation, cellobello, practicing, Experience, scales, Practice, improvement, Brandon, recording, arpeggios, scheduling, student, school, career, success, Summer, Growth|

I Found my “Dream Quartet” in an Unexpected Industry — by Margo Drakos

My love for string quartets drew me to the cello, or rather, it motivated me to practice. It isn’t just the repertoire—I was hooked by the music the first time I ever heard the early Guarneri recording of the Cavatina and Grosse Fuge. I love the idealist concept of a quartet, and the feeling of playing an individual voice that joins together with three other voices to form a single interdependent expression. I also love the cellist’s role in a quartet, as it requires a multitude of skills. At once the quartet cellist is the anchor, sometimes quietly without notice, sometimes with declarative strength, sometimes a supportive counterpart, yet at other times is the prominent, docile melody. I have taken great pride in seeking the seemingly unattainable perfection of [...]

By Margo Drakos|2017-10-16T03:44:15-04:00April 29th, 2011|Categories: Beyond the Traditional, Chamber Music, Interpersonal Relationships|Tags: string quartet, influences, cello, David, melody, cellobello, communication, organization, music, experiences, skills, opportunity, Soyer, Quartet, colleagues, strength, goals, support, motivation, respect, sustain, practicing, concepts, David Soyer, repertoire, dreams, inspiration, environment, career|

Defining the Intangible — by Melissa Kraut

Several years ago I was asked to contribute to an article for Strings Magazine on "what teachers look for in an incoming student." I was excited about the article—what a fantastic idea—a compilation of suggestions from teachers who listen to 100+ cellists a year auditioning for music schools! Despite my best intentions, I still haven't crafted a contribution. (Here is where I should publicly apologize to the cellist, who is no doubt reading this entry, for the 3 year delay in responding to your request). My neglect was not for lack of interest, or lack of knowledge or experience on the subject. It came down to the difficulty in putting words to something that is so nebulous—defining the intangible. The title for this entry popped into my head during audition [...]

By Melissa Kraut|2024-01-22T02:00:58-05:00April 11th, 2011|Categories: Auditions, Teaching|Tags: success, musicianship, vibrato, Technique, articulation, cello, Kraut, Development, cellobello, Melissa, knowledge, students, possibility, Auditions, suggestions, expression, quality, Experience, commitment, Concerto, reflection, clarity, connection, career, skill, intonation, intentions, bow, Strings Magazine, sound production, potential, bow speed, imagination, passion, tone|

The Cello Can’t Learn

I am fairly certain that I would have been voted “least likely to have a teaching career” upon graduating from the Cleveland Institute of Music. As someone at home on the stage, I had been pursuing a career in performance since I made the decision to become a cellist at the ripe age of 11. Would I play in the Chicago Symphony? Be in a String Quartet? Play solo concerts? The answer was undetermined, but the path I was on was well established. It was a seemingly random act of fate that forever changed my direction in the music field. I met Doris and Bill Preucil when I was a senior at CIM. They claim they recognized the “teaching spirit” in me, a fact I found strange at the time, [...]

By Melissa Kraut|2011-03-14T10:15:19-04:00March 14th, 2011|Categories: Teaching|Tags: improvement, Kraut, Melissa, Teaching, career, cello, musicians|