cellobello Archives

The Eyes Have It (Part 2): More on Attention — by Selma Gokcen

"The obstacle is the goal." - Zen Proverb The training of attention through my line of work—the Alexander Technique—happens in a particular way, through the application of certain principles. We take the obstacles, in this case a pupil’s habits, and work with them moment by moment, observing and undoing the tensions in the neck area and throughout the back and spinal column. In this way the pupil’s habits become rich material for understanding how their attention can be directed. The head is heavy and bears a particular relationship to the spine, as it is either poised (gently balanced) on top of or pulled into the spinal column. Cellists are vulnerable to tightening the neck and pulling the head either forward and down towards the fingers or back and down, shortening the [...]

By Selma Gokcen|2017-10-09T02:04:50-04:00November 3rd, 2011|Categories: In the Practice Room, Playing Healthy, Self Discovery|Tags: music, movement, control, Selma, Alexander, sound production, head-neck-back relationship, energy, spinal column, Technique, expression, Habits, Teaching, balance, cello, Alexander Technique, cellobello, Gokcen|

Gary Hoffman Master Class Streamed Live on CelloBello Nov 3rd 2011 7-10 pm EDT

We are proud to present a CelloBello live-streamed event! Join us on Thursday by clicking on the link below: www.cellobello.org/blog/cellostream Gary Hoffman Master Class New England Conservatory, Pierce Hall Thursday, Nov 3rd, 7-10 PM Eastern Daylight Time (EDT) CelloBello is pleased to continue presenting master classes live, as it happens, featuring cellist Emily Taubl.

By Blogmaster|2017-06-18T01:43:36-04:00November 2nd, 2011|Categories: Artistic Vision, CelloStream, In the Practice Room, Playing Healthy, Self Discovery, Teaching|Tags: Pierce Hall, Boston, Elgar, cello, Masterclass, cellobello, NEC, New England Conservatory|

The Eyes Have It (Part 1) — by Selma Gokcen

One of the most valuable indicators of well-functioning coordination is eye movement. I have noticed for a long time now that there are different types of gaze in musicians. The "well-trained" musician of today often exhibits what I call blinkered attention, the result of years of too much effortful practice. The strain around the eyes is visible and often accompanied by laboured breathing. Caught by inward feelings and sensations, this musician is "concentrating." In the words of my Alexander teacher, the original meaning of concentration used to be: to relate a set of factors to a central point. It has been increasingly misused in our educational system to encourage the shutting out of everything else out to focus on a single thing. Concentration therefore as a useful aim has been [...]

By Selma Gokcen|2017-10-09T02:04:27-04:00October 22nd, 2011|Categories: Playing Healthy, Self Discovery|Tags: practicing, attention, communication, seeing, Coordination, effort, exploration, Feuermann, Casals, Listening, Heifetz, cello, relaxation, strain, cellobello, Alexander Technique, music, Gokcen, Awareness, concentration, relationships, Selma|

Ralph Kirshbaum Master Class Streamed Live on CelloBello Oct 20 2011 7-10 pm EDT

We are proud to present a CelloBello live-streamed event! Join us on Thursday by clicking on the link below: www.cellobello.org/blog/cellostream Ralph Kirshbaum Master Class New England Conservatory, Pierce Hall Thursday, Oct. 20, 7-10 PM Eastern Daylight Time (EDT) CelloBello is pleased to continue presenting master classes live, as it happens!

By Blogmaster|2011-10-16T21:47:18-04:00October 16th, 2011|Categories: Technology|Tags: live-stream, Master Class, Pierce Hall, Boston, cello, cellobello, NEC, New England Conservatory|

Taking it on the Road — by Brant Taylor

One of the most interesting and rewarding aspects of life in a major orchestra is the touring. After "What difference does the conductor really make?" and "How did the orchestra like _____?" (conductor or soloist), the questions I'm asked most frequently by members of the Chicago Symphony Orchestra's devoted audience are almost always about touring. Organizing an extended trip for a large orchestra, especially abroad, is an immense undertaking. The initial planning begins years before the event itself, and all of the logistics that must be in place for things to run smoothly take the full-time attention of dedicated members of the orchestra's administration. There are a couple of travel companies in the U. S. who specialize in taking orchestras on tour, and the CSO uses one of these companies [...]

By Brant Taylor|2017-10-30T05:23:10-04:00October 16th, 2011|Categories: Cello Travel, Orchestra|Tags: cello section, organization, Chicago Symphony Orchestra, orchestral tours, CSO, cello cases, flying with instruments, orchestra, trips, Taylor, flying, cello, Travel, cellobello, Conductors, Brant, Touring|

New and Old — by Yeesun Kim

This summer I had two very different experiences performing contemporary pieces. The first piece, as it turned out, had several performances spread over two months. Two concerts included working with the composer prior to the concert. The second piece was set up to be only performed once, without the composer's presence and with only two days of rehearsing. Both pieces were quite difficult in their own ways. The first piece called for virtuosity, stamina and the ability to clearly outline the structure and narrative in order to hold the piece together. The second piece was almost the exact opposite. Short and obsessively detailed in its use of sound effects, it abounded in the use of extended techniques. It employed extremely soft dynamics and seemed to purposefully obscure perceptible structure in [...]

By Yeesun Kim|2022-04-04T13:55:15-04:00October 7th, 2011|Categories: Chamber Music, Performance, Repertoire|Tags: unique, dynamics, challenges, virtuosity, confidence, structure, Kim, ability, rehearsals, articulations, Yeesun, familiar, creativity, character, soundscapes, Rhythm, cello, composers, cellobello, music|

It’s Time to Start [NOT] Practicing — by Martha Baldwin

It’s September, the school year has begun, and the concert season is looming large. This time of year is the New Year’s Eve of the academic and music world—a time for resolutions and new beginnings. For cellists everywhere these resolutions often focus around practicing—namely doing more of it. For myself, I somehow already feel behind and the temptation to try to cram as much work in as possible, especially on my “day off” from the orchestra is strong (well, to be honest there are other days when the temptation to sit on the couch is stronger). But this year my resolution is two-fold. Yes, I want to prepare upcoming repertoire earlier than ever this year but before I come up with a plan for that, I’m going to be planning [...]

By Martha Baldwin|2017-09-15T02:54:54-04:00September 29th, 2011|Categories: Playing Healthy, Self Discovery|Tags: orchestra, routine, Preparation, self-improvement, Baldwin, energy, Injuries, Martha, relaxing, practicing, taking time off, repertoire, improvement, Rest, cello, cellobello, school|

Pieter Wispelwey Master Class Streamed Live on CelloBello

Pieter Wispelwey, Cello We are proud to present a CelloBello milestone - our first live-streamed event! Join us by clicking on the link below: www.cellobello.org/blog/cellostream Pieter Wispelwey Master Class New England Conservatory, Pierce Hall Wednesday, Sept. 28, 3-6 PM Eastern Daylight Time (EDT) Repertoire: Bach Suites 1, 3 and 6. Schubert Arpeggione Sonata, featuring cellist Tony Rymer. CelloBello is so pleased to be able to present this master class live, as it happens - our first in a planned series of streamed events!

By Blogmaster|2011-09-25T23:46:03-04:00September 25th, 2011|Categories: Performance, Teaching|Tags: NEC, New England Conservatory, conservatory, live-stream, Master Class, Sonata, Pierce Hall, Teaching, cello, cellobello|

Behind the Scenes of a Music Festival (Part 2): The Devil in the Details — by Aron Zelkowicz

According to their blog, Audio-Technica’s acclaimed Artist Elite 5000 Series UHF Wireless System with an AEW-T4100 Cardioid Dynamic Handheld Transmitter was the microphone of choice for Taylor Swift’s “Fearless” concert tour (“It really sounds like her!”). Of course, all systems use the AEW-R5200 True Diversity Frequency-Agile Dual Receiver. Thank goodness all we have to do is walk on stage with our cello, find a hole in the floor, and play. When compared with such high-tech riders, organizing an acoustic recital is low maintenance, right? Right?! Sure—although maybe you should have had that dress rehearsal where someone could have spiked the chairs’ locations on the floor with masking tape because once you start the Brahms Piano Quartet you realize you are blocking the violist’s sight-line to the pianist (causing some uneasy [...]

By Aron Zelkowicz|2017-11-01T00:47:39-04:00September 23rd, 2011|Categories: Repertoire, Technology|Tags: music, details, Preparation, small details, challenges, Aron, rehearsals, Zelkowicz, distractions, live performances, passion, music festivals, organization, enjoyment, cello, Production, cellobello, festivals|

Marlboro: Then and Now (in the Experience of One Participant) — by Bonnie Hampton

It has been a pleasure to have the opportunity to return to Marlboro as a participant after a period of forty five years. It is that much more meaningful since it is the Sixtieth Anniversary and the evidence of the content of those years is very present. My participation as a young cellist in the sixties was filled with inspiration and challenges. In 1962, I came first for the Casals Master Classes and then returned from 1963 until 1966 as a full participant. Those years gave us Casals’ Magic with music. That heightened exaltation in his musical involvement which carried over into everything we did. Serkin’s giving of 200% in everything he did and willing us to stretch our own boundaries. Felix Galimir’s insisting on our getting inside the understanding [...]

By Bonnie Hampton|2023-01-22T18:44:32-05:00September 20th, 2011|Categories: Chamber Music, Interpersonal Relationships|Tags: talent, opportunity, Bonnie, Hampton, administration, cello, intensity, cellobello, participants, performance, challenges|

The Rules — by Brant Taylor

A while back, I accepted an invitation from my good friend Pansy Chang to teach her cello students. Pansy teaches cello at Miami University in Oxford, Ohio. She was taking a sabbatical for a semester and wanted to make arrangements for her students to receive lessons from different teachers in her absence. I had a very enjoyable time meeting and working with the cellists in Oxford. It is always enlightening—and sometimes highly entertaining—to observe the various posters, photos, educational degrees, cartoons, and other items which adorn the walls of teaching studios around the world. Among many other things hanging on the the walls of Pansy's studio, I noticed a piece of paper which I immediately knew could occupy a prominent place in my studio as well. Titled simply "The Rules," [...]

By Brant Taylor|2017-10-22T22:46:19-04:00September 15th, 2011|Categories: In the Practice Room, Self Discovery, Teaching|Tags: Practice, finesse, Taylor, cello technique, rules, continuous vibrato, education, posters, Technique, University, Teaching, improvement, vibrato, cello, instrumentalists, cellobello, lessons, Brant, concepts|

Composing and Playing Music: How Composing Helps Your Playing — by Lev Mamuya

Composing one’s own music can prove to be a very valuable resource when it comes to interpreting the music of others, and vice versa. As a composing musician myself, I find that as I get more advanced in each field, each one’s development seems to promote the other’s. Through composing my own music I have not necessarily gained a greater technical facility, but a more complete understanding of the markings in the music that I play and a deeper appreciation of the composer’s intentions. The practice of putting in more detailed markings has developed over time. The music of 20th century composers is generally more specific marking-wise than the music of the Baroque era in terms of what composers actually wrote into the music. For instance, the Debussy Cello Sonata [...]

By Lev Mamuya|2017-06-17T22:34:10-04:00September 6th, 2011|Categories: High School Blogs, In the Practice Room, Repertoire|Tags: Interpretation, composers, complexities, artistry, composition, markings, cello, structure, cellobello, understanding, textures, music, dynamics, value, individuality, influences, Lev, details, Mamuya, harmony, Technique, resources, intentions, vision|

Notes from the Field: 12 Cellos are Better Than 1 — by Aron Zelkowicz

I wanted to take a break from behind-the-scenes administrative reporting to share a recent concert experience that might be of interest to those who like to “geek out” about all things cello-related. It might have been Sarah Jessica Parker’s character in Sex and the City (not that I ever watched the show…) who noted that one of the best things about living in New York City is getting out of it once in a while. So on a scorching July weekend it was invigorating to drive well beyond the numbered streets and convene with eleven other cellists in the town of Hunter, New York—home to some of the highest peaks in the Catskill Mountains. The simplicity of this village and nearby Tannersville was a quaint contrast to Manhattan. The Catskills [...]

By Aron Zelkowicz|2018-06-30T04:33:15-04:00August 12th, 2011|Categories: Chamber Music, Interpersonal Relationships, Performance, Repertoire|Tags: Experience, Aron, orchestra, Zelkowicz, accomplishments, rehearsals, administration, cello ensemble, creativity, concert, cello, unique, effects, cellobello, opportunity, expertise, NEC, opera, New England Conservatory, New York City, simplicity, cello section, social|

Finesse — by Brant Taylor

Any musician who has interests outside the realm of music has probably discovered ideas and concepts important to other disciplines which are directly applicable to the study and performance of music. The lessons we can learn about greatness from outside our own field are often very powerful because the underlying principles tend to be universal and not confined to any single discipline. For the famed American chef Thomas Keller, there is one word he uses to describe his entire philosophy of approaching his craft at the highest level: finesse. Chef Keller apparently doesn't want anyone who works for him to forget it—the word and its dictionary definition are emblazoned directly on the tiles above the entrance to the kitchen at Per Se, his high-end (and delicious) New York City restaurant: [...]

By Brant Taylor|2021-01-20T20:53:36-05:00July 19th, 2011|Categories: Artistic Vision, In the Practice Room, Performance, Self Discovery|Tags: effortless, Janos, Awareness, lessons, creativity, legato, concentration, solutions, release, Philosophy, concepts, bow speed, small details, skills, weight, Starker, musical, fundamentals, tension, character, aspirations, vibrato, ideas, contact point, cello, details, cellobello, exploration, finesse, Brant, Listening, harmony, Taylor|

Behind the Scenes of a Music Festival (Part 1): The Vision Thing — by Aron Zelkowicz

By self-imposed annual tradition, recent weeks have been crunch time, when a year’s worth of planning comes to fruition. My pet project, the Pittsburgh Jewish Music Festival, held sway in early June where, for the past several years, it has settled in the form of four concerts. I thought it might serve as a useful case study to explore various behind-the-scenes topics. This is the season when myriad music festivals around the country are in full bloom. What is the take-away experience from any one of these that makes it unique? Even traditional chamber music festivals have their own trademark DNA that set them apart, from big issues (BUDGET, LOCATION) to small (I’m playing in a festival this summer that offers a cookbook featuring the players’ signature recipes—cool!). Festival X [...]

By Aron Zelkowicz|2017-11-01T00:33:07-04:00July 16th, 2011|Categories: Artistic Vision, Chamber Music, Repertoire|Tags: composer, music, resources, Experience, score, vision, musicians, Zelkowicz, Community, artistry, support, Beethoven, training, Performing, festivals, cello, Aron, cellobello|

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