grandiose

Cellists have as much reason as anyone to celebrate the upcoming Benjamin Britten centenary, if not more so.  The five major cello works he wrote for Mstislav Rostropovich – the sonata, the Symphony Concerto, and the three solo suites – have been taken up in short order as standard repertoire.  By my unofficial count there are twenty recordings of the complete cello suites on the market, not to mention sixteen “incomplete” cycles of one or two suites here and there.  So it can be easy to forget that this music hasn’t been around for very long.  Those of us of a certain age can remember relics like the individually published suites, each score with its distinctly colored cover.  Or Rostropovich’s classic 1970 LP titled, rather definitively, “Britten: The Suites for [...]