The Greenhouse Effect — by Robert Jesselson
I feel like I have known Bernard Greenhouse for all of my life. Growing up in New York in the 1950's and 1960's, I heard him perform countless times with the Beaux Arts Trio and the Bach Aria Group. I can remember his warm sound and elegant appearance from my earliest days. It is probably because of hearing Mr. Greenhouse that I even wanted to play the cello. Then in 1971, when I was studying in Freiburg, Germany I got the first chance to actually meet him in person. It was backstage after an awe-inspiring performance of the Beethoven Triple by the Beaux Arts Trio. I told him that I hoped to have the opportunity to study with him someday—and he generously responded by giving me his personal telephone number and address, saying to contact him when I was ready. [...]