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My First Lessons with Gregor Piatigorsky — by Paul Katz

In 1961, Jascha Heifetz, Gregor Piatigorsky and William Primrose joined the faculty of the University of Southern California where I was a cello student studying with the highly inspiring Gabor Rejto. As fate would have it, Rejto was leaving on sabbatical that year and so I auditioned for Piatigorsky and was admitted to his first class at USC. Two amazing years with him followed—he was truly a creative genius, a great psychologist, and a supportive father figure that cared deeply about everyone that he taught. We were a new class of students, however, and  as we entered the room that first day, none of us knew what to expect: Excited that I was going to be studying with the 'Great Grisha,'  I bought a new short-sleeved, bright orange shirt for this special occasion. Made from [...]

By |2019-11-18T15:01:24-05:00January 24th, 2018|Categories: CelloFun, Interpersonal Relationships|Tags: , , , |

Cycles, Shostakovich, and the Final Four — Brandon Vamos

I often get asked about performing cycles. I am a member of a Quartet that is passionate about performing cycles of music, including the complete string quartets of Beethoven, Carter, Mendelssohn, and Shostakovich (among others). But why bother with cycles? What do they have to offer us a musicians or audience members? I like to think of it like I think of my Vikings (in case you didn’t know, I’m a huge fan). Why bother following a team game to game or season to season? Well for one, you start to learn the language of the game. Not just the game of football itself, but how that TEAM plays the game. The aggressive way they run plays or their team personality, what feeling they leave with you at the end [...]

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