inflection Archives

The Britten Cello Suites (Part 2): An Interview with Steven Doane — by Aron Zelkowicz

My first live encounter with a Britten suite was an in-your-face experience. Steven Doane played the First Suite, Op. 72 as a “dry run” for a group of students as we crammed into an Eastman studio with barely enough floor space to not get poked with an upbow. Mr. Doane’s association with the piece has only grown, leading to a brand new recording of the complete suites to be released this year. I asked Mr. Doane about his thoughts and experiences playing this demanding work over the years. Do you remember the occasion of learning the Britten First Suite for the first time? It’s a piece that I discovered late - I was in my mid thirties when I started working on it, and it was revelatory. It was an [...]

By Aron Zelkowicz|2022-05-23T11:32:01-04:00November 12th, 2013|Categories: Interviews, Repertoire|Tags: Sound, Zelkowicz, interview with Steven Doane, fingerings, Suites, Steven Doane, movements, audience, performance, recitals, phrasing, Benjamin Britten, perspective, Britten, Britten Cello Suites, recital, cello suites, inflection, recordings, complete suites, cello, discovery, discoveries, cellobello, Aron, editorial markings|

Exploring Beethoven’s Fifth Symphony — by Jonathan Pegis

Here in just a few measures is an excerpt that has confused, befuddled, and downright scared more cellists than just about any other excerpt (please click image to enlarge): The theme from the second movement of Beethoven's fifth, along with the first two variations, shows up on the vast majority of cello audition lists. I thought it would be educational to spend some time exploring this theme, and future blogs will explore the first and second variations. To begin with, this excerpt is one of a handful that I have coached for many years where I am actually LESS confident than I used to be. Why? Because every teacher, every coach, and every conductor has had radically different ideas about all the different aspects of this theme. Temp, color, dynamic, [...]

By Jonathan Pegis|2017-07-15T05:12:25-04:00October 19th, 2012|Categories: Auditions, In the Practice Room, Orchestra, Performance, Repertoire|Tags: nerves, inflection, mistakes, dynamics, release, orchestral excerpts, orchestra, recording, Beethoven, accents, Preparation, singing, bow speed, blog, control, sustain, Rhythm, bow changes, Symphony, vibrato, technical challenges, phrasing, legato, cello, variations, practicing, markings, cellobello, confidence, education, teacher, Audition, Excerpts, pressure, Teaching, coaching|

Playing Audition Excerpts: Yes, the Devil’s in Them — by Brant Taylor

Although the collection of excerpts on an audition repertoire list may seem arbitrary, each one has a purpose: giving the audition candidate an opportunity to demonstrate certain things about his or her playing and artistry. Audition success involves showing a command of certain basic elements—such as rhythm, dynamics, intonation and articulations—as well as conveying a nuanced understanding of the music and the composer. A well crafted audition list will include excerpts that emphasize each of these elements, and a candidate’s ability to demonstrate control and understanding of them will determine his or her chance for success. Let's put these goals into concrete terms using a common cello audition excerpt as an illustration—the opening of the second movement of Brahms' Symphony No. 2: Brahms Second Symphony, 2nd Mvt. [...]

By Brant Taylor|2022-03-28T13:44:33-04:00May 2nd, 2012|Categories: Auditions, In the Practice Room, Orchestra, Repertoire|Tags: shifting, color, fingerings, cello, success, cellobello, tempo, Auditions, Brant, understanding, Excerpts, dynamics, Brahms, exploration, nuance, Taylor, legato, artistry, control, inflection, goals|