Jules Delsart

Reprinted with permission from Interlude. Martin Berteau Like the German school of cello playing, the French School had a centuries-long impact, which continues today. When we think of French playing, refinement, finesse, and elegance come to mind, but during the 18th Century in Northern Europe the cello was still considered a lowly, rudimentary instrument compared to the viola da gamba. The French cello school evolved due to the exquisite playing of Martin Berteau (circa 1700-71). Despite maintaining the underhand bow-hold of the gamba, his sweet tone and depth of expression greatly influenced his students, Jean Pierre Duport, Tillière, and Jean Baptiste Cupis. Berteau developed an effortless fingering system, incorporating the use of the thumb, and introducing the use of both natural and artificial harmonics, which was quite unusual [...]