potential Archives

About Thumbs — by Selma Gokcen

You never know what is enough unless you know what is more than enough. —William Blake To anyone engaged in a skill requiring dexterity—surgery, drawing, and of course playing a musical instrument—the use of the thumb is crucial to successful execution. Thumb-finger opposition is one of the primary characteristics which distinguishes primates from other animals, allowing them to manipulate tools; in humans this potential exists at the highest levels, facilitating the development of skills which make extraordinary use of the hand...witness the moto perpetuo. We also have expressions to describe this relationship when it doesn't work well: "He/she is all thumbs!" To enable this thumb—finger opposition, there is a considerable amount of brain space devoted to the fleshy area of the thumb between the base joint of the thumb (located at [...]

By Selma Gokcen|2021-09-13T13:17:08-04:00June 16th, 2013|Categories: Alexander Technique for Cellists, Playing Healthy, Self Discovery|Tags: professor, physical anthropologist, variation, highest levels, playing a musical instrument, Arizona State University, index finger, talent, primates, about thumbs, manipulate tools, language, Thumbs, advances, Mary Marzke, potential, brain space, middle finger, discussion, Changes in the ligament, modern humans, skill, Chimps and monkeys, modified design, Gokcen, closed fist position, neck of the cello, conform the thumb, cello, opening and closing the hand, Selma, dexterity, cellobello, palm, brain, grasp|

Myth Busters — by Brant Taylor

Instrumentalists often prepare for an orchestra audition by seeking feedback on their preparation from a teacher or colleague. Perhaps because my career includes both orchestral playing and teaching, I am frequently asked to coach players who are preparing solo work(s) and orchestral excerpts for a given audition. Some players I hear are very new to the audition game, while others are already seasoned professionals looking to step up to another ensemble or for a promotion in their current group. After years of talking with these musicians about auditions in general and about the specifics of their preparation, I've noticed several assumptions that players sometimes make about auditions. While some of these assumptions are true, and made with good reason, many others are best described as myths. Some of these are half-truths, and [...]

By Brant Taylor|2017-11-09T02:42:34-05:00November 16th, 2011|Categories: Auditions, Orchestra, Performance, Repertoire|Tags: CSO, assumptions, orchestra, Instruments, Preparation, musicianship, Taylor, recordings, fingerings, Audition, tempo, coaching, expression, repertoire, mistakes, cello, Conductors, Brant, Chicago Symphony Orchestra, potential|

Defining the Intangible — by Melissa Kraut

Several years ago I was asked to contribute to an article for Strings Magazine on "what teachers look for in an incoming student." I was excited about the article—what a fantastic idea—a compilation of suggestions from teachers who listen to 100+ cellists a year auditioning for music schools! Despite my best intentions, I still haven't crafted a contribution. (Here is where I should publicly apologize to the cellist, who is no doubt reading this entry, for the 3 year delay in responding to your request). My neglect was not for lack of interest, or lack of knowledge or experience on the subject. It came down to the difficulty in putting words to something that is so nebulous—defining the intangible. The title for this entry popped into my head during audition [...]

By Melissa Kraut|2024-01-22T02:00:58-05:00April 11th, 2011|Categories: Auditions, Teaching|Tags: knowledge, students, possibility, Auditions, suggestions, expression, quality, Experience, commitment, Concerto, reflection, clarity, connection, career, skill, intonation, intentions, bow, Strings Magazine, sound production, potential, bow speed, imagination, passion, tone, success, musicianship, vibrato, Technique, articulation, cello, Kraut, Development, cellobello, Melissa|

Putting Your Best Foot Forward in Auditions — by Yeesun Kim

Let's face it. A musicians life is full of auditions. Even when you might not be taking a formal audition, each concert may turn out to be an audition for your next project. For many students, February in particular is a busy, stressful month filled with college auditions, summer festival auditions, recital juries and so forth. When you are a beginner, auditions generally represent a relatively encouraging nudge of "Do your best." Later, they have greater consequences, and dealing with the pressure can become quite torturous. Some are more at ease than others, but I believe it is safe to say that auditions are not activities anyone particularly enjoys doing. Of course listening to auditions is not so easy either. One is asked to sit through 7-8 hours per day [...]

By Yeesun Kim|2023-02-27T12:56:31-05:00March 22nd, 2011|Categories: Auditions, Performance|Tags: tuning, Yeesun, Interpretation, anxiety, commitment, cello, communication, cellobello, connection, Auditions, intentions, control, personality, clarity, potential, energy, pressure, confidence, stress, Kim|