problems

The View from Both Sides — by Robert Battey

  Critic. n.: one who walks out onto the field after a battle to shoot the wounded.   As a still-occasionally-performing cellist as well as a regular music critic for the Washington Post and STRINGS magazine, I feel exquisitely the sentiment expressed by the wag above.  There are few things more discouraging than to give a concert of which one is proud, only to later read that you “had an off night, with wayward intonation and a pinched sound.” On the other side, to judge from the press quotes sprinkled in concert flyers and musicians’ bios, one might think that everyone is incredible. In such a subjective realm as the performing arts, these anomalies and injustices will always be with us. No two people hear the same thing at a [...]

Are You a Manager of Your Cello’s Problems? — by Wayne Burak

In the past month I have had several cellists come in for adjustments. The interesting common denominator in each case was the complaint that something could not be achieved technically on the cello because of an adjustment issue. These problems ranged from neck angles being so low that the c bout edges were hit easily with the frog, fingerboards which were worn and misshapen, necks which were too thick (fatiguing the hand in fast passage work), to many bridge and soundpost position issues. One cellist remarked that he felt like he was managing inconsistencies and limitations which even affected his programming choices! What? I pondered this for several days while working on both new and old instruments. The central issue of course, is that the cello is proportionately successful to [...]

By |2017-08-03T22:12:33-04:00May 9th, 2011|Categories: Luthiers, Performance, Technology|Tags: , , , |
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