repertoire Archives

Myth Busters — by Brant Taylor

Instrumentalists often prepare for an orchestra audition by seeking feedback on their preparation from a teacher or colleague. Perhaps because my career includes both orchestral playing and teaching, I am frequently asked to coach players who are preparing solo work(s) and orchestral excerpts for a given audition. Some players I hear are very new to the audition game, while others are already seasoned professionals looking to step up to another ensemble or for a promotion in their current group. After years of talking with these musicians about auditions in general and about the specifics of their preparation, I've noticed several assumptions that players sometimes make about auditions. While some of these assumptions are true, and made with good reason, many others are best described as myths. Some of these are half-truths, and [...]

By Brant Taylor|2017-11-09T02:42:34-05:00November 16th, 2011|Categories: Auditions, Orchestra, Performance, Repertoire|Tags: orchestra, Instruments, Preparation, musicianship, Taylor, recordings, fingerings, Audition, tempo, coaching, expression, repertoire, mistakes, cello, Conductors, Brant, Chicago Symphony Orchestra, potential, CSO, assumptions|

It’s Time to Start [NOT] Practicing — by Martha Baldwin

It’s September, the school year has begun, and the concert season is looming large. This time of year is the New Year’s Eve of the academic and music world—a time for resolutions and new beginnings. For cellists everywhere these resolutions often focus around practicing—namely doing more of it. For myself, I somehow already feel behind and the temptation to try to cram as much work in as possible, especially on my “day off” from the orchestra is strong (well, to be honest there are other days when the temptation to sit on the couch is stronger). But this year my resolution is two-fold. Yes, I want to prepare upcoming repertoire earlier than ever this year but before I come up with a plan for that, I’m going to be planning [...]

By Martha Baldwin|2017-09-15T02:54:54-04:00September 29th, 2011|Categories: Playing Healthy, Self Discovery|Tags: Baldwin, energy, Injuries, Martha, relaxing, practicing, taking time off, repertoire, improvement, Rest, cello, cellobello, school, orchestra, routine, Preparation, self-improvement|

The F-Word — by Aron Zelkowicz

“Do you play with a regular ensemble?” the lady at Kinko’s asked me. Lately I’ve noticed this to be one of the routine first questions that new acquaintances throw my way, especially in New York. My theory is that music aficionados latch on to this question, while novices (often in airports, as we can all testify) tend to focus on the size of the cello case and the hilarity of imagining something else inside it: an AK-47, King Kong’s tennis racket, mother. In this instance my cello was not with me, but the scraps of dissected scores scattered across the work station easily gave away my vocation. She asked, “Do you play with a regular ensemble?”, which is exactly the wording that gets me like a deer in headlights. The [...]

By Aron Zelkowicz|2021-09-10T16:21:12-04:00May 11th, 2011|Categories: Beyond the Traditional, Interpersonal Relationships, Self Discovery|Tags: ensemble, orchestras, Teaching, chamber music, radio, career, routine, musician, environment, self-improvement, cello, cello case, social, cellobello, Competition, string quartets, music, freelance, Auditions, fundraising, masterclasses, repertoire, New York City, orchestral tours|

I Found my “Dream Quartet” in an Unexpected Industry — by Margo Drakos

My love for string quartets drew me to the cello, or rather, it motivated me to practice. It isn’t just the repertoire—I was hooked by the music the first time I ever heard the early Guarneri recording of the Cavatina and Grosse Fuge. I love the idealist concept of a quartet, and the feeling of playing an individual voice that joins together with three other voices to form a single interdependent expression. I also love the cellist’s role in a quartet, as it requires a multitude of skills. At once the quartet cellist is the anchor, sometimes quietly without notice, sometimes with declarative strength, sometimes a supportive counterpart, yet at other times is the prominent, docile melody. I have taken great pride in seeking the seemingly unattainable perfection of [...]

By Margo Drakos|2017-10-16T03:44:15-04:00April 29th, 2011|Categories: Beyond the Traditional, Chamber Music, Interpersonal Relationships|Tags: repertoire, dreams, inspiration, environment, career, string quartet, influences, cello, David, melody, cellobello, communication, organization, music, experiences, skills, opportunity, Soyer, Quartet, colleagues, strength, goals, support, motivation, respect, sustain, practicing, concepts, David Soyer|

Thirds, Thirds, Thirds… — by Lev Mamuya

Practice your thirds. As well as improving your technique, it can be…sigh…well, even a little bit fun. Many people give thirds an unfair label: they’re boring, they’re tedious, and they’re hard… Thirds are hard at first, and require daily repetition to maintain to the fullest, but never fear! A good daily method can change you from someone who hates thirds, to someone who can look forward to practicing thirds every day. Scales are always good. Thirds scales are even better. Practicing thirds scales slowly and repetitively is an important way to improve technique such as left hand finger rounding and intonation. Plus, a slow tempo can give you more time to focus on right hand/arm technique. This may not be the most fun part of practicing thirds, but JUST DO [...]

By Lev Mamuya|2017-06-24T03:42:45-04:00December 14th, 2010|Categories: High School Blogs, In the Practice Room|Tags: Lev, Mamuya, control, Martha, Awareness, motivation, practice habits, intonation, practicing, success, repertoire, challenges, scales, consistency, Technique, focus, thumb position|

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