CelloChat: Brinton Averil Smith – Interpretive Principles Learned from Recordings of the Masters of the Golden Age of String Playing
Critics have described American cellist Brinton Averil Smith as a “virtuoso cellist with few equals,” hailing him “a proponent of old-school string playing such as that of Piatigorsky and Heifetz.” Smith’s debut recording of Miklós Rózsa’s Cello Concerto with the New Zealand Symphony Orchestra received widespread international critical acclaim, with Gramophone praising Smith as a “hugely eloquent, impassioned soloist,” and continuing “The sheer bravura of Smith’s reading is infectious” while the American Record Guide praised his recording of chamber music of Fauré with Gil Shaham as “Stunningly beautiful,” continuing “I cannot imagine a better stylistic match for Shaham.”