Tanglewood

Conversation with Gordon Epperson (1995)

Interview by Tim Janof Gordon Epperson is Professor Emeritus from the University of Arizona. He is a renowned cello pedagogue and author, having written several books and articles, including The Art of Cello Teaching, which was derived from articles he wrote in the eight years he was editor of the "Cellist's Forum" in American String Teacher magazine. His recording of solo cello works by Ysaye, Crumb, and Kodaly has recently been released on CD. TJ: You went to Tanglewood in 1941, where Koussevitzky conducted and when Leonard Bernstein was a student conductor. GE: Yes, there were a number of young conductors, including Thor Johnson and Lukas Foss, but Bernstein was Koussevitzky's clear favorite and just dripped with talent. He wasn't afraid of anybody and was very brash. TJ: What was [...]

Conversation with Frances Walton (June, 1999)

Interview by Tim Janof Sitting third chair in Philharmonia Northwest, one of the best community orchestras in the Seattle area, is 71 year old cellist Frances Walton, one of the most radiant musical souls I have ever met. "I'm 71 and I love it. As long as I can move without arthritis, the world is good." One wouldn't necessarily expect to find such a powerful musical force in a place like Shorecrest High School auditorium, the orchestra's concert venue, but there she enthusiastically plays. As I watch her, I can't help but wonder if anybody realizes just what she has done for classical music -- formed and conducted two orchestras, conducted a third, founded a music camp, co-founded a music library, formed a statewide concert tour, and inspired countless musicians [...]

Rambling About Tanglewood: Tales of a BSO Survivor

Reposted from The Berkshire Eagle. LENOX—It's been two times 50 for Jules Eskin this summer: the conclusion of 50 years as the Boston Symphony Orchestra's principal cellist, coinciding with the conclusion of the Boston Symphony Chamber Players' 50th anniversary season. That automatically identifies him as a founding member of the chamber ensemble. He's the only founding member still in it, in fact. Eskin, 82, is a survivor. After five months out for cancer treatments, he came back to active duty at Tanglewood on July 6 to play one of his trademark solos, the big, lyrical one in Brahms' Second Piano Concerto. He's also back to doing his pull-ups and sit-ups and hikes up Lenox Mountain to the fire tower, he says. He's tough even when it comes to producing a [...]

Backstage with the Boston Cello Quartet — by Blaise Déjardin

A few weeks ago, I had a video conversation with my 4 years-old nephew and my brother on Skype. At one point, my brother (also a cellist) tells my nephew: “You know Blaise plays in a cello quartet? He plays with three other cellists.” My nephew starts laughing: “A cello quartet? Noooo…That’s not possible!” Yes, it is! But it is indeed a strange concept and I believe it is rare to get a chance to have such a group with a long-term commitment. Since the Boston Cello Quartet is now releasing its first CD album, “Pictures”, it was interesting to look back on our three years together and talk about the challenges of being in a cello quartet. When I asked my colleagues to form a cello quartet, I knew [...]

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