tone Archives

The Holy Sextet (Part 1) — by Brant Taylor

Think back to when you were shown how to use the bow to successfully produce different sounds on the cello. In all likelihood, you learned that there is a trio of "variables" that are combined in certain ways to achieve a desired result: WEIGHT, or how much of the right arm's heft is placed into the string from above (I prefer the term "weight" to "pressure," though they refer to the same idea). SPEED, or how quickly the bow is moved laterally. CONTACT POINT, or where the bow hair makes contact with the string relative to the bridge (or fingerboard). While each of these variables is critically important to sound production, the complete recipe for successfully controlling the string with the bow involves more. There are at least three other basics [...]

By Brant Taylor|2023-04-17T14:09:04-04:00November 28th, 2012|Categories: In the Practice Room, Self Discovery|Tags: cello, bow technique, cellobello, bridge, Brant, Vibrations, Taylor, variables, control, variation, pressure, bow speed, relaxation, tone, struggle, weight, contact point|

Searching For One’s Cello Voice — by Bonnie Hampton

It is a remarkable thing that just as our vibratos show our individual expression, so ultimately does our “cello voice” as we develop our sound with the bow on the cello. What are the elements which make up this search? It is a given that we can’t make a beautiful sound unless our bow arms are free and we are finding our energies all the way from the back, with none to the various joints or muscles adding physical tension or tightness. We need to have in our imagination, the qualities of sound we respond to. Perhaps we have heard a wonderful cellist who has inspired us, or perhaps there is a tone quality in our inner ear which we strive for. We are so fortunate, the cello is capable [...]

By Bonnie Hampton|2018-03-09T04:16:06-05:00May 23rd, 2011|Categories: Artistic Vision, Self Discovery|Tags: Bonnie, cello, Hampton, cellobello, individual voice, clarity, individuality, support, Sound, muscles, expression, imagination, overtones, Teaching, musicians, patience, bow speed, performance, tone, Habits, tension, concert halls, vibrato|

Defining the Intangible — by Melissa Kraut

Several years ago I was asked to contribute to an article for Strings Magazine on "what teachers look for in an incoming student." I was excited about the article—what a fantastic idea—a compilation of suggestions from teachers who listen to 100+ cellists a year auditioning for music schools! Despite my best intentions, I still haven't crafted a contribution. (Here is where I should publicly apologize to the cellist, who is no doubt reading this entry, for the 3 year delay in responding to your request). My neglect was not for lack of interest, or lack of knowledge or experience on the subject. It came down to the difficulty in putting words to something that is so nebulous—defining the intangible. The title for this entry popped into my head during audition [...]

By Melissa Kraut|2024-01-22T02:00:58-05:00April 11th, 2011|Categories: Auditions, Teaching|Tags: suggestions, expression, quality, Experience, commitment, Concerto, reflection, clarity, connection, career, skill, intonation, intentions, bow, Strings Magazine, sound production, potential, bow speed, imagination, passion, tone, success, musicianship, vibrato, Technique, articulation, cello, Kraut, Development, cellobello, Melissa, knowledge, students, possibility, Auditions|

Raising Your Self-Awareness — by Brandon Vamos

I recently worked with a student preparing a Bach suite for his recital. In his lesson, he was struggling with the many challenges one faces when playing Bach. A week later he performed the entire suite in studio class and I was taken aback by the dramatic improvement. He played the work with great poise, clarity, and a much higher level of solidity and intonation. I was curious about this sudden jump in playing level and asked him what his focus had been during that weeks’ preparation. His answer was that he had become much more self-aware and objective of his playing. He had made a conscious effort to sit back and get a true sense of what was coming from his instrument. The result? He was better able to [...]

By Brandon Vamos|2020-09-17T02:37:28-04:00March 14th, 2011|Categories: Artistic Vision, In the Practice Room, Self Discovery|Tags: clarity, concentration, intonation, musical phrasing, tone, Practice Room, Performing, results, Experience, Preparation, Sound, Awareness, student, Bach Suites|