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Paul Katz

Paul Katz is known for his 26-year career as cellist of the internationally acclaimed Cleveland Quartet; as a world-renown teacher of his instrument; for his featured role mentoring young cellists in the made for PBS film Talent Has Hunger, directed by Academy Award nominated Director Josh Aronson; and as Founder and Artistic Director of CelloBello.org, the world’s leading online resource center for cellists. As soloist Katz has played throughout North America, Europe and China. Of special interest to cellists is the Cleveland Quartet’s recording of the Schubert Quintet for two cellos with Paul Katz and Yo-Yo Ma.

In 2010, with the support of WGBH in Boston and NEC, Katz created CelloBello.org,  “to build a global cello community that serves all cellists and enthusiasts world-wide with the highest level of musical instruction, inspiration and interaction, regardless of location, race, socio-economic status, or ability level”.  Katz’s video lessons are in seven languages and interviews, blogs, live cello chats, streamed concerts and masterclasses are contributed by dozens of the world’s greatest artist/teachers.

Mr. Katz has received many honors, including the American String Teacher’s Association “Artist-Teacher of the Year 2003;” Indiana University’s “Chevalier du Violoncelle,” awarded for distinguished achievements and contributions to the world of cello playing and teaching; Chamber Music America’s highest honor, The Richard M. Bogomolny National Service Award, awarded for a lifetime of distinguished service in the field of chamber music; and an Honorary Doctorate of Musical Arts from Albright College. Mr. Katz served for six years as President of Chamber Music America, the national service organization in the United States that has in its membership virtually all of the country’s professional chamber music ensembles, as well as hundreds of presenting organizations, music festivals and managers. As an author, he has appeared in numerous publications and wrote the liner notes for the Cleveland Quartet’s three-volume set of the complete Beethoven Quartets on RCA Red Seal.

Mr. Katz has appeared as soloist in New York, Cleveland, Toronto, Detroit, Los Angeles, and other cities throughout North America. He was a student of Gregor Piatigorsky, Janos Starker, Bernard Greenhouse, Gabor Rejto and Leonard Rose. In 1962 he was selected nationally to play in the historic Pablo Casals Master Class in Berkeley, California and was a prizewinner in the Munich and Geneva Competitions. Of special interest to cellists are his recordings of the Dohnanyi Cello Sonata for ProArte Records and the Cleveland Quartet’s recording on Sony Classical of the Schubert two-cello quintet with Yo-Yo Ma. The Cleveland Quartet has nearly 70 recordings to its credit on RCA Victor, Telarc International, Sony, Philips and ProArte. These recording have earned many distinctions including the all-time best selling chamber music release of Japan, 11 Grammy nominations, Grammy Awards for Best Chamber Music Recording and Best Recorded Contemporary Composition in 1996, and “Best of the Year” awards from Time Magazine and Stereo Review.

In September of 2001, Mr. Katz joined the faculty of The New England Conservatory of Music in Boston, following five years at Rice University in Houston and twenty years (1976-1996) of teaching at the Eastman School of Music. He has mentored many of the fine young string quartets on the world’s stages today including the Ariel, Biava, Balourdet, Cavani, Chester, Harlem, Jupiter, Kuss, Lafayette, Maia, Meliora, Omer, Parker, T’ang, Verona and Ying Quartets. One of America’s most sought after cello teachers, his cello students, in addition to membership in many of the above quartets, have achieved international careers with solo CD’s on Decca, EMI, Channel Classics and Sony Classical.  They occupy positions in many of the world’s major orchestras including principal chairs of orchestras such as Detroit, Los Angeles,  St. Louis, Oslo, Norway and Osaka, Japan, and are members of many American symphony orchestras such as Buffalo, Chicago, Cleveland, Detroit, Los Angeles, National Symphony, Pittsburgh, Rochester and St. Louis.

Mr. Katz has been a participant at many of the world’s major summer music festivals and schools including the Aspen Festival, Marlboro Festival, Bowdoin Festival, the Yale Summer School of Chamber Music, the Perlman Music Program, Yellow Barn, the Schleswig-Holstein Music Festival in Germany, ProQuartet in France, Domaine Forget, Orford, Toronto Summer Music, and the Banff Center for the Arts in Canada, the Steans Institute of The Ravinia Festival, The Heifetz Institute, and served as Director of the young artists program at the Great Lakes Chamber Festival. His hundreds of master classes worldwide include many of the major music schools of North and South America, Europe, Israel, Japan and China. Mr. Katz frequently sits on the juries of international cello and chamber music competitions, including the Leonard Rose International Cello Competition, the Gyeongnam International Cello Competition in Korea, and the international string quartet competitions of Banff, London, Osaka, Munich, Graz and Geneva.

Paul Katz resides in Boston, MA with his wife, pianist Pei-Shan Lee and plays an Andrea Guarneri cello dated 1669.

Body Awareness

Listen to Your Body

Eliminating Physical Tension


Paul Katz

Bow Hold Principles – Part 2

Control: Flexibility/Balance


Paul Katz

Uniting the Hands

Varying Left Hand Depth


Paul Katz

Right Arm Power

Arm Weight/Gravity


Paul Katz

Softness is Strength

Tai Chi: Power/Flexibility


Paul Katz

Shifting: The Ears are Boss

Intonation: Ears Guide the Hand


Paul Katz

Ears, Mind, Body – Part 1

Empower the Ears and Heart to Lead


Paul Katz

Ears, Mind, Body – Part 2

Where True Artistry Begins


Paul Katz

Nervous and Tight? Exhale!

The exhale is nature's strongest emotional and physical release.


Paul Katz

Alisa Weilerstein: Optimal Body Motion

Alisa Weilerstein in conversation with Paul Katz at the New England Conservatory of Music, Boston, 2015.


Alisa Weilerstein, Paul Katz

Paul Katz on Pros & Cons of Bent Endpins

Companion video to "Sitting: Chair, Feet, Power at Tip"; interview with Rob Mayes.


Paul Katz

Sitting: Chair, Feet, Power at Tip

Connecting your cello posture, body motion and bow use.


Paul Katz

Eliminate Left Hand Tension (Part 1)

How to eliminate left hand fatigue and increase agility and ease.


Paul Katz

Eliminate Left Hand Tension (Part 2)

A loose hand is stronger than a tight one.


Paul Katz

Balancing the Head

Matt McManus with Paul Katz.


Matt McManus, Paul Katz

Engaging Back Muscles

Matt McManus with Paul Katz.


Matt McManus, Paul Katz

Healthy Sitting Position

Matt McManus with Paul Katz.


Matt McManus, Paul Katz

Tips on Selecting a Bow

Paul Katz with Rob Mayes.


Paul Katz

Why You Shouldn’t Squeeze Your Thumb

How Your Thumbs Critically Affect Your Technique


Paul Katz

The Thumb and Comfortable Extensions

Reach and close. Paul Katz with Hayden Idson.


Paul Katz

Tips on a Warmup & Practice Routine

Foundations for an effective warmup. Paul Katz with Hayden Idson.


Paul Katz

Solving Left Hand Pain – Part 1

Part 1 - Essential Left Hand Principles to Avoid Tendonitis. Paul Katz with Jaia Alli.


Paul Katz

Solving Left Hand Pain – Part 2

Part 2 - Essential Left Hand Principles to Avoid Tendonitis. Paul Katz with Jaia Alli.


Paul Katz

History

Lluis Claret: Casals & My Father

Lluis Claret in conversation with Paul Katz.


Lluís Claret, Paul Katz

Lluis Claret: My Work with Living Composers

Lluis Claret in conversation with Paul Katz at the New England Conservatory of Music, Boston, 2015.


Lluís Claret, Paul Katz

Tips on Selecting a Bow

Paul Katz with Rob Mayes.


Paul Katz

Interpretation

Right Hand Expression

The Bow Makes the Music


Paul Katz

Artistry in Sound

Expressive Use of the Bow


Paul Katz

On Interpretation

Interpretation as Communication. Discussion of Bach d minor Prelude.


Paul Katz

Master Class: Chopin Sonata, Mvt. 2

Somi Yoon, Cello; Yannick Rafalimanana, Piano; 2012


Paul Katz

Lluis Claret: My Work with Living Composers

Lluis Claret in conversation with Paul Katz at the New England Conservatory of Music, Boston, 2015.


Lluís Claret, Paul Katz

Lluis Claret: Merging Performer & Composer Wishes

Lluis Claret in conversation with Paul Katz at the New England Conservatory of Music, Boston, 2015.


Lluís Claret, Paul Katz

Tchaikovsky Rococo: Theme (Bow)

Connecting Bow Use with Character and Phrasing


Paul Katz

Tchaikovsky Rococo: Var. #1 & 2 (Bow)

Tips on Executing Bow Strokes


Paul Katz

Tchaikovsky Rococo: Theme (Vibrato)

Freeing the Left Hand for Vibrato.


Paul Katz

Master Class: Mendelssohn D Major Sonata, Mvt. 2 and 4

Jennifer Su, Cello; Claire Chung Lim, Piano; 2017


Paul Katz

Master Class: Brahms F Major Sonata, Mvt. 2

Audrey Chen, Cello; Renana Gutman, Piano; 2018


Paul Katz

Master Class: Prokofiev Sonata, Mvt. 2

Ye Young Yoo, Cello; Michael Bukhman, Piano.


Paul Katz

Master Class: Debussy Sonata

Prologue and Sérénade (Opening).


Paul Katz

Mindset

Listen to Your Body

Eliminating Physical Tension


Paul Katz

Softness is Strength

Tai Chi: Power/Flexibility


Paul Katz

Shifting: The Ears are Boss

Intonation: Ears Guide the Hand


Paul Katz

Ears, Mind, Body – Part 1

Empower the Ears and Heart to Lead


Paul Katz

Ears, Mind, Body – Part 2

Where True Artistry Begins


Paul Katz

Wispelwey on Stage Fright

Pieter Wispelwey in conversation with Paul Katz


Paul Katz, Pieter Wispelwey

Wispelwey: Why I Love Practicing

Pieter Wispelwey in conversation with Paul Katz


Paul Katz, Pieter Wispelwey

Wispelwey on Rebellion

Pieter Wispelwey in conversation with Paul Katz


Paul Katz, Pieter Wispelwey

Nervous and Tight? Exhale!

The exhale is nature's strongest emotional and physical release.


Paul Katz

Alisa Weilerstein: Evolving from Practice Room to Stage

Alisa Weilerstein in conversation with Paul Katz, 2015.


Alisa Weilerstein, Paul Katz

Yo-Yo Ma: Music and Purpose

Yo-Yo Ma in conversation with Paul Katz.


Paul Katz, Yo-Yo Ma

Marcy Rosen: Learning from Your Students

Marcy Rosen in conversation with Paul Katz.


Marcy Rosen, Paul Katz

Projecting Pianissimo

Playing intimately, but for the last row of the audience.


Paul Katz

Alisa Weilerstein: Psychology of Sound Projection

Alisa Weilerstein in conversation with Paul Katz.


Alisa Weilerstein, Paul Katz

Fingerboard Visualization

Laura Blustein with Paul Katz.


Laura Blustein, Paul Katz

Tips on a Warmup & Practice Routine

Foundations for an effective warmup. Paul Katz with Hayden Idson.


Paul Katz

Practicing

Bow Hold Principles – Part 2

Control: Flexibility/Balance


Paul Katz

Uniting the Hands

Varying Left Hand Depth


Paul Katz

Legato String Crossings

Eliminate Jerky Motions


Paul Katz

Right Arm Power

Arm Weight/Gravity


Paul Katz

Ricochet Bow Stroke

Control Tempi & Rhythms


Paul Katz

Vibrato: Wide or Narrow?

Choosing Appropriate Vibrato


Paul Katz

Vibrato: Fast or Slow?

Choosing Appropriate Vibrato


Paul Katz

Vibrato: Hand Position

Techniques to Vary Vibrato


Paul Katz

Spiccato: Slow to Fast

Bouncing Bow at all Tempi


Paul Katz

Up and Down Bow Staccato

How to Practice the Stroke


Paul Katz

Quartertones

Beginning Quartertone Scales


Paul Katz

Shifting: Hand Alignment

Improve Shifting Consistency


Paul Katz

Wispelwey: Why I Love Practicing

Pieter Wispelwey in conversation with Paul Katz


Paul Katz, Pieter Wispelwey

Nervous and Tight? Exhale!

The exhale is nature's strongest emotional and physical release.


Paul Katz

Alisa Weilerstein: Evolving from Practice Room to Stage

Alisa Weilerstein in conversation with Paul Katz, 2015.


Alisa Weilerstein, Paul Katz

Lluis Claret: Merging Performer & Composer Wishes

Lluis Claret in conversation with Paul Katz at the New England Conservatory of Music, Boston, 2015.


Lluís Claret, Paul Katz

Yo-Yo Ma: Music and Purpose

Yo-Yo Ma in conversation with Paul Katz.


Paul Katz, Yo-Yo Ma

Marcy Rosen: Left Hand Position & Vibrato

Marcy Rosen in conversation with Paul Katz.


Marcy Rosen, Paul Katz

Tchaikovsky Rococo: Theme (Bow)

Connecting Bow Use with Character and Phrasing


Paul Katz

Tchaikovsky Rococo: Var. #1 & 2 (Bow)

Tips on Executing Bow Strokes


Paul Katz

Projecting Pianissimo

Playing intimately, but for the last row of the audience.


Paul Katz

Tchaikovsky Rococo: Theme (Vibrato)

Freeing the Left Hand for Vibrato.


Paul Katz

Alisa Weilerstein Interview: Bow Grip & Arm Weight

Alisa Weilerstein in conversation with Paul Katz.


Alisa Weilerstein, Paul Katz

Eliminate Left Hand Tension (Part 1)

How to eliminate left hand fatigue and increase agility and ease.


Paul Katz

Eliminate Left Hand Tension (Part 2)

A loose hand is stronger than a tight one.


Paul Katz

Alisa Weilerstein: Psychology of Sound Projection

Alisa Weilerstein in conversation with Paul Katz.


Alisa Weilerstein, Paul Katz

Yo-Yo Ma Interview: On Practicing

Yo-Yo Ma in conversation with Paul Katz in Jordan Hall, New England Conservatory of Music, 2016.


Paul Katz, Yo-Yo Ma

Why You Shouldn’t Squeeze Your Thumb

How Your Thumbs Critically Affect Your Technique


Paul Katz

The Thumb and Comfortable Extensions

Reach and close. Paul Katz with Hayden Idson.


Paul Katz

Tips on a Warmup & Practice Routine

Foundations for an effective warmup. Paul Katz with Hayden Idson.


Paul Katz

Solving Left Hand Pain – Part 1

Part 1 - Essential Left Hand Principles to Avoid Tendonitis. Paul Katz with Jaia Alli.


Paul Katz

Solving Left Hand Pain – Part 2

Part 2 - Essential Left Hand Principles to Avoid Tendonitis. Paul Katz with Jaia Alli.


Paul Katz

Technique

Continuous Vibrato

Eliminate Stopping/Starting


Paul Katz

Listen to Your Body

Eliminating Physical Tension


Paul Katz

Bow Hold Principles – Part 2

Control: Flexibility/Balance


Paul Katz

Uniting the Hands

Varying Left Hand Depth


Paul Katz

Legato String Crossings

Eliminate Jerky Motions


Paul Katz

Right Hand Expression

The Bow Makes the Music


Paul Katz

Right Arm Power

Arm Weight/Gravity


Paul Katz

Ricochet Bow Stroke

Control Tempi & Rhythms


Paul Katz

Softness is Strength

Tai Chi: Power/Flexibility


Paul Katz

Artistry in Sound

Expressive Use of the Bow


Paul Katz

Vibrato: Wide or Narrow?

Choosing Appropriate Vibrato


Paul Katz

Vibrato: Fast or Slow?

Choosing Appropriate Vibrato


Paul Katz

Vibrato: Hand Position

Techniques to Vary Vibrato


Paul Katz

Spiccato: Slow to Fast

Bouncing Bow at all Tempi


Paul Katz

Shifting: The Ears are Boss

Intonation: Ears Guide the Hand


Paul Katz

Up and Down Bow Staccato

How to Practice the Stroke


Paul Katz

Ears, Mind, Body – Part 1

Empower the Ears and Heart to Lead


Paul Katz

Ears, Mind, Body – Part 2

Where True Artistry Begins


Paul Katz

Quartertones

Beginning Quartertone Scales


Paul Katz

Shifting: Hand Alignment

Improve Shifting Consistency


Paul Katz

Paul Katz on Pros & Cons of Bent Endpins

Companion video to "Sitting: Chair, Feet, Power at Tip"; interview with Rob Mayes.


Paul Katz

Sitting: Chair, Feet, Power at Tip

Connecting your cello posture, body motion and bow use.


Paul Katz

Marcy Rosen: Left Hand Position & Vibrato

Marcy Rosen in conversation with Paul Katz.


Marcy Rosen, Paul Katz

Tchaikovsky Rococo: Theme (Bow)

Connecting Bow Use with Character and Phrasing


Paul Katz

Tchaikovsky Rococo: Var. #1 & 2 (Bow)

Tips on Executing Bow Strokes


Paul Katz

Projecting Pianissimo

Playing intimately, but for the last row of the audience.


Paul Katz

Tchaikovsky Rococo: Theme (Vibrato)

Freeing the Left Hand for Vibrato.


Paul Katz

Alisa Weilerstein Interview: Bow Grip & Arm Weight

Alisa Weilerstein in conversation with Paul Katz.


Alisa Weilerstein, Paul Katz

Eliminate Left Hand Tension (Part 1)

How to eliminate left hand fatigue and increase agility and ease.


Paul Katz

Eliminate Left Hand Tension (Part 2)

A loose hand is stronger than a tight one.


Paul Katz

Alisa Weilerstein: Psychology of Sound Projection

Alisa Weilerstein in conversation with Paul Katz.


Alisa Weilerstein, Paul Katz

Yo-Yo Ma Interview: On Practicing

Yo-Yo Ma in conversation with Paul Katz in Jordan Hall, New England Conservatory of Music, 2016.


Paul Katz, Yo-Yo Ma

Balancing the Head

Matt McManus with Paul Katz.


Matt McManus, Paul Katz

Engaging Back Muscles

Matt McManus with Paul Katz.


Matt McManus, Paul Katz

Healthy Sitting Position

Matt McManus with Paul Katz.


Matt McManus, Paul Katz

Fingerboard Visualization

Laura Blustein with Paul Katz.


Laura Blustein, Paul Katz

Tips on Selecting a Bow

Paul Katz with Rob Mayes.


Paul Katz

Why You Shouldn’t Squeeze Your Thumb

How Your Thumbs Critically Affect Your Technique


Paul Katz

The Thumb and Comfortable Extensions

Reach and close. Paul Katz with Hayden Idson.


Paul Katz

Solving Left Hand Pain – Part 1

Part 1 - Essential Left Hand Principles to Avoid Tendonitis. Paul Katz with Jaia Alli.


Paul Katz

Solving Left Hand Pain – Part 2

Part 2 - Essential Left Hand Principles to Avoid Tendonitis. Paul Katz with Jaia Alli.


Paul Katz