Feuermann: Artistry of the Bow

Marika Hughes discusses her grandfather, Emanuel Feuermann’s unique perspective on the cello, particularly emphasizing his belief in the importance of the bow. She recalls that Feuermann valued the bow as an instrument in its own right, even more than the cello itself.

Marika mentions that the only video of Feuermann playing showcases his extraordinary bowing technique, which aligns with the teachings of other renowned cellists like Piatigorsky, who argued that the right hand (bowing) is essential for musical expression, while the left hand (fingering) conveys thoughts. She believes that Feuermann’s impeccable phrasing and shaping of musical phrases highlight his mastery and unconscious connection to bowing technique.