Connecting Bow Use with Character and Phrasing
Tchaikovsky Rococo: Theme (Bow)
- Choice of bow stroke should communicate lightness, dance character
- Choice of tempo depends also on Variation 1 and 2
- Feel the theme in 2, not in 4
- Different phrase shapes are possible and desirable
- The arm and hand should feel upward and buoyant, not physically down or heavy
- The right hand index finger starts each short note, with a light release that puts air and ring at the end of the stroke
- Vibrato can enliven each note
- The short notes in the theme are melody and need phrase shaping
- Varying the dynamic shaping and rhythmic timing makes the repeats more interesting
- The ear controls the hand: The start of the note, its length, ring, and dynamic shape are adjudicated by the ear
- Short notes need a quick, buoyant start to create lightness and a dance character
- Listen for an after-ring and resonance on the release of all short notes
- Vary the bow stroke to give a melodic shape the first measure (and all other bars of short notes)
- More bow evolves on each note to crescendo, less for diminuendo, and the ear should be certain the lengths still match
- Theme should sound in 2 beats to a bar, not in 4
About
Paul Katz
Paul Katz is known for his 26-year career as cellist of the internationally acclaimed Cleveland Quartet; as a world-renown teacher…
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"The left hand is your thoughts, the right hand is your tongue." -Gregor Piatigorsky
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