Daniel Chong, violin | Ken Hamao, violin | Jessica Bodner, viola | Kee-Hyun Kim, cello

Beethoven String Quartet No. 14 in C# minor, Op. 131

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  • One of the most profound works in all of Western music.
  • Expresses an enormous gamut of human emotions: introspective and extrovert; melancholic and ecstatic; joy and suffering; resignation and defiance, etc.
  • Seven interconnected movements played without pause.
  • Cyclical relationship of first and last movement themes is compositionally innovative.
  • 1st Movement: Slow Fugue – dramatically powerful, suffering, contemplative, philosophical.
  • 2nd Movement: Light, quick, joyous, in contrast to the first movement melancholy.
  • 3rd Movement: Recitative, serving as a short transition to the fourth movement.
  • 4th Movement: Theme and Variations of enormous length, a wide range of moods featuring a theme of great melodic charm, contrasting with some abstract and difficult to comprehend variations.
  • 5th Movement: “Scherzo” full of teasing humor and surprise. One of the earliest uses of sul ponticello, a technique that creates a glassy, slightly scratchy effect.
  • 6th Movement:  Haunting, painful, sobbing in G-sharp minor, the dominant key leading to the C#-minor Finale
  • 7th Movement: Melody is an inversion of the first movement fugue theme. A defiant and explosive conclusion ending triumphantly in major mode.

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Parker Quartet

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Cellosophy

"[The opening fugue of Op. 131] is the most melancholy sentiment ever expressed in music." -Richard Wagner